Translucent Glazes

This 100% mixable celadon glaze is a light, glossy blue-green that pools darker turquoise and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a deep translucent gray that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a glossy, soft, blushing pink that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a deep, glossy cobalt blue that pools and accents textured ware like the ancient glazes they are created to imitate.

This 100% mixable celadon glaze is a cool transparent blue that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a transparent indigo blue that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a dark, glossy blue-gray that pools and accents textured ware like the ancient glaze it is created to imitate.

This 100% mixable celadon glaze is a pale transparent blue-green that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a glossy, ice blue that pools darker blue and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a glossy medium brown that pools darker brown and accents textured ware like the ancient glazes it is meant to imitate.

This 100% mixable celadon glaze is a cool, glossy emerald green that pools and accents textured ware like the ancient glaze it is created to imitate.

This 100% mixable celadon glaze is a translucent aqua-tinted blue like a tranquil inlet.

This 100% mixable celadon glaze is a cool, glossy lavender purple that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a glossy, deep yellow that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable Celadon glaze is a deep, glossy purple that pools and accents textured ware like the ancient glazes it was created to imitate.

This 100% mixable celadon glaze is a light amber brown that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a bright, glossy yellow-green that pools and accents textured ware like the ancient glazes it was created to imitate.

This 100% mixable celadon glaze is a light red that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a deep, glossy forest green that pools and accents textured ware like the ancient glaze it is created to imitate.

This 100% mixable celadon glaze is a semi-translucent deep russet brown like a Southwestern mesa.

This 100% mixable celadon glaze is a translucent pale soft green like a tall cactus.

This 100% mixable celadon glaze is a semi-translucent warm light brown like a sandy dune.

This 100% mixable celadon glaze is a lively, glossy sky blue that pools and accents textured ware like the ancient glazes it was created to imitate.

This 100% mixable celadon glaze is a light transparent gray that pools and accents textured ware like the ancient glazes it is created to imitate.

This 100% mixable celadon glaze is a deep, glossy navy that pools and accents textured ware like the ancient glazes it was created to imitate.

This 100% mixable celadon glaze is a translucent spearmint green - fresh and spring-like.

This 100% mixable celadon glaze is a soft, glossy medium green that pools and accents textured ware like the ancient glaze it is created to imitate.

This 100% mixable celadon glaze is a soft, glossy raspberry red that pools and accents textured ware like the ancient glazes they are created to imitate.

Dark Star is a fluid, dark matte glaze with iridescent crystals like a beetle shell.

Solar Rainbow is a highly fluid, dark gloss glaze with iridescent rainbow crystals.

Supernova is a highly fluid creamy white translucent glaze with a crystalline surface like frost on a window.

A pastel pink with a delicate, milky quality. It is the softest color in the line, and the crazing does the work that the color does not.

A muddled yellow-green. Amaco's word, not ours, and it is accurate: this one is not a clean green, it is a green with something else going on underneath.

A vibrant blue-green, and the strongest color Amaco put in this line. The crackle network reads clearly through it rather than being swallowed by the color.

A warm, golden, buttery yellow. The warmest glaze in a line that otherwise runs cold, and it sits particularly well over a buff body.

A diffused, milky white, in Amaco's own words. On a dark body the white sits over the clay and the crack network shows through it as fine dark lines, which is the whole Guan ware effect in one glaze.

A pastel, frosty blue. Translucent enough that the clay body reads through it, so the same jar on a dark clay and a light clay gives two different pots.

A translucent emerald built to show off carving. Because you can see through it, the relief underneath is not covered so much as filled: deep cuts hold more glaze and go darker, shallow ones stay light.

An intense cobalt blue with a lighter blue floating on the surface of it, which gives the glaze visible depth: one blue sitting on top of another rather than a single flat color.

A glossy soft yellow with flecks of iron scattered through it. Mostly opaque, and it breaks clear over texture, so raised edges show the clay through it.

A toasty light beige, relatively translucent, breaking clear over texture. On its own it is a quiet, useful neutral that lets the clay body show through.

A subtle turquoise gloss that reads green-beige where it is thin and a real aqua where it is thick. The two states are far enough apart that a single pot with relief shows both clearly.

A delicate light green built to reproduce the classical Asian celadons, and it gets close. Celadon is a long-established glaze effect, a pale green transparency that was originally chasing the look of jade.

A flowing green carrying a metallic sheen, and Amaco's reference for it is Persian lusterware, the medieval technique that put a metallic shine onto a glazed surface.

Coyote calls it one of its most popular and most versatile glazes. A very runny, richly varied green that can be unpredictable, sometimes creating both matt and gloss areas on a single pot. Combines beautifully with almost all Coyote Glazes, and explodes with crystals in a slow cool.

Possibly our runniest glaze, but also one of our most beautiful. Opal is a brilliant pearlescent blue that varies from translucent where thin to mottled where thick.

One of our most beautiful and pop ular glazes. Red Gold is a golden cream color with streaks of reddish brown. Depending on the thickness and firing, it can achieve a wide range of colors and finishes, sometimes including blue crystals. It can be very runny.

A gentle, translucent blue-green color, similar to a traditional celadon. Easy to apply and reliable. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent pink that won't cover underglaze. Develops a slightly bluish haze where thickest. Great for any application, though colors show best on white clays. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our testing.

A translucent green, great for any piece with texture or underglaze. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent greenish gray, which develops a blue haze where it is thickest. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent pale pink. A unique and warm alternative to traditional celadon finishes, Peach Blush is perfect for porcelain. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our testing.

Coyote calls it the best-selling celadon it makes. A deep translucent green, which pools to a cloudy blue where thickest. Peacock Green is not recommended for food ware, as it can change color when exposed to acids such as lemon or vinegar. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes. Not recommended for use on food ware.

A translucent vivid red. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A deep, clear blue. Translucent enough to be used over fine details or underglaze, Sapphire starts as a pale blue and becomes darker as it pools. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A bright, translucent color that adds warmth to any piece without hiding detail. Easy to apply and reliable. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our testing.

A translucent light blue. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A deep gray-green Celadon with deeper green tones and splashes of blue where thickest. Great for any work with texture or underglazes Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A bright, translucent yellow. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our tests.

An iron glaze with a light brown to yellow-orange color. Often Toshi Brown will develop surface mottling similar to wood or salt fired glazes, without those special firing processes.

A beautifully creamy and translucent glaze, with tones of purple and large blue crystals. Coyote lists it among the most popular of its Crystalline slow cools.

A translucent soft green with pale crystals. Crystals grow best on smooth, white clay.

A pale translucent orange with large pink crystals. Rose Crystal is both cheerful and elegant. Perfect for decorative ware, especially over white clay.

A solid, opaque black with a smooth, glossy finish. Ideal for nearly any usage, on its own or combined with other glazes.

A glossy, translucent blue. T est all foodware to determine food safety.

A light seafoam green. Looks lovely with Shino glazes, or on its own for a bright glossy finish.

A deep, intense red with less brightness and a more natural tone compared to our Really Red. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our tests.

An olive green with gold breaking on the raised edges and a mottled surface underneath.

A warm cream yellow, even and quiet.

A saturated mustard gold with a granular, sugary surface.

A warm off-white with the faintest drift of color through it. The quietest thing on this shelf.

A true flat black, even across the tile. Darker and flatter than Midnight Plum or Smoke.

A bright raspberry red with a slight sparkle in the surface.

A soft lavender with a shimmer through it, quieter than Lavender Mist beside it.

This 100% mixable Celadon glaze is a bright, glossy red that accents textured ware like the ancient glazes it was created to imitate.

This 100% mixable celadon glaze is a transparent orange that pools and accents textured ware like the ancient glazes it is created to imitate.

A light opaque blue with a smooth, even surface, which makes it one of the calmer glazes in a line full of loud ones. The interest is in the break: over a raised edge it pulls back to tan, so texture draws itself in a warm line against the cool field.

A cool blue that breaks milky green and then pools pale in the low spots, which is exactly the trick the name is describing: shallow water over sand, deeper water further out.

A translucent pink-red that breaks light tan over texture. It is chasing the copper reds of historic Asian pottery, and Amaco's own framing is worth keeping: it gets there with a reliable color response in an oxidation kiln, which the originals could never promise.

A sparkling dark brown that breaks light yellow-brown over texture. The sparkle is the unusual part: it shifts between silver and copper depending on the angle, which gives the whole surface an iridescent quality rather than a fixed color.

A rich translucent green with darker green speckles suspended in it. The gloss and the translucency together mean the clay body underneath still contributes, so the same jar looks different on white stoneware than on a darker clay.

An opalescent gray that changes noticeably across a textured surface. Opalescent is the right word rather than opaque: there is a milky depth to it that shifts with the light.

Satin Matte Blue Green is an opaque, buttery deep teal glaze that accentuates textured ware and boasts a classic art deco appearance.

SM-53 Cayenne is a spicy and warm red satin glaze with an earthy undertone.

A pale blue that Amaco describes as a buttery robin's egg. It is the lightest blue in the line and sits closer to a soft chalky color than to a bright one.

SM-2 Stone is a  dark taupe satin glaze, smooth as a weathered rock.  Glaze fire to Cone 5-6.

A runny but beautiful glaze. Pale pink or sometimes cream colored on its own, the Archie's really shines when combined with other glazes, changing their colors and pulling them into interesting new patterns.

A runny but beautiful pale blue glaze. Icy blue crystals appear frequently in this glaze, especially when it is slow cooled.

A translucent purple. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent deep blue. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent bluish purple, pooling to blue where thickest and sometimes breaking gray where thinnest. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A translucent brown that pools beautifully. Varies from caramel to deep chestnut depending on the thickness. Unlike the other Celadons, Root Beer can be a bit runny. Frank's Colored Celadons are a beautiful series of translucent glazes. They look great on their own or combined with other glazes.

A translucent bright orange. Frank's Colored Celadons are a beautiful series of translucent glazes. They do not run and look great on their own or combined with other glazes.

A golden brown with occasional purple and blue tones when slow cooled, and a greenish blue with brown tones when not.

A shimmering green that can break brown where thin. Aries changes from glossy to matt when slow cooled, as tiny crystals grow across the surface.

A somewhat runny, translucent glaze that pools in textured areas. Copper blue can serve as a nice base glaze, or sometimes an alternative to clear. Fires red in reduction.

One of the most dramatic glazes available, Crystal Lagoon varies from deep cobalt blue where thick to brown where thin, and grows large blue crystals when slow cooled.

A beautiful translucent glaze with pale blue tones and gold colored crystals. Check out Ivory Crystal for a similar look without the blue.

A beautiful glaze with white and transparent tones, which grows large white and gold crystals when slow cooled. Ivory Crystal is perfect for elegant forms like vases and decorative bottles. Crystals grow best on smooth surfaces.

A deep blue with a smooth, glossy surface. Coyote calls it one of the most popular starting points for glaze combinations. Great for beginners and advanced potters alike.

A rich glossy brown. Great on its own or combined with the Archie's series, Cinnamon Stick develops a slight bluish haze at its thickest.

A deep and intense blue that becomes darker as it gets thicker. Great for any use that calls for a darker color.

A bright red-orange glossy glaze. Doesn't run and provides a smooth, bold color. Contains cadmium. Passes FDA cadmium release guidelines for food safety in our tests.

A bright pink with a haze over it where the glaze goes thick. Coyote says it works on its own and combines well with both its Gloss and Archie's series.

A rich brown that does not break. Where it goes thickest it develops a slight purplish haze, which is the only place this one moves.

A bright, true red. Similar to the Really Red glaze, but with a less glossy finish that absorbs the light.

An unbreaking brown, suitable for nearly any use.

A warm purple, considerably brighter and less blue than the Lapis Satin. Orchid Satin's bright tones and subtle surface make it a perfect contrast to darker, glossier glazes.

A clean saturated turquoise blue, even and bright across the tile.

A strong crimson red, opaque and even. Reds this clean are rare at cone 5 and 6.

A soft blue-violet, quieter than the rest of the line.

A bright orange with real warmth in it. Coyote spells it Tiger Lily with one L in the middle.

A mid turquoise that sits between Mediterranean Sea and a true green.

A soft off-white matte with warmth in it rather than a cold white. On our tile the raised lettering barely separates from the field, which makes it a quiet background.

A pale cream matte with faint pink and gray flecks through it. One of the softest colors in the line.

A very dark green matte that breaks to a lighter olive over the raised lettering. Nearly black in the flat field.

A soft blue-green matte with a patina-like mottle through it. Mayco calls it Satin Patina.

A light gray matte with cloudy mottling and white variegation. Mayco built three of this line, Weathered Blue, Storm Gray and Lemon Meringue, to change with coat count: one coat shows more color, extra coats increase the mottling and white variegation.

A soft dusty blue matte with mottling and white variegation across it. Mayco built three of this line, Weathered Blue, Storm Gray and Lemon Meringue, to change with coat count: one coat shows more color, extra coats increase the mottling and white variegation.

A coral pink that breaks into orange and yellow with dark speckle floating through it. One of the most active surfaces on this shelf.

A soft lavender blue with paler blooms drifting across it. Quiet and cloudy rather than flat.

A pale turquoise green that pools deeper in the recesses and pulls almost white on the high points.

A very dark green ground with turquoise crystals scattered across it. Dark until the light hits the crystals.

A black ground with blue and brown crystal blooms spreading across it. One of the most dramatic surfaces we carry.

A dusty mauve purple with a soft mottle. Muted rather than bright.

An acid yellow-green with dark green crystal blooms scattered over it. Loud.

A dark brown ground with fine gold micro-crystals scattered through it, closer to a metallic than to a color.

A mid blue ground carrying fine white and darker blue micro-crystals.

An olive green ground with fine gold and green micro-crystals, and a warm break on the edges.

A black ground with an olive green float sitting on top. The float gathers where the glaze pools.

A deep violet with blue and green crystal blooms scattered across it.

A dark teal green with heavy rust and brown mottling over it, like something pulled out of the water.

A mottled brown and gold with streaks of deep red running through it. Genuinely looks like the stone.

A dusty mauve sitting over a warmer ground, with coral breaking through on every raised edge. One of the clearest examples of what this series is named for.

A deep magenta pink, mottled rather than flat, lifting lighter and pinker over the relief.

An olive yellow-green that breaks to a paler green on the high points. Quieter than the name suggests.

A bright mustard yellow, even across the field with a light mottle through it.

The one the series is built around. Gray-green floats over blue with olive and smoky bronze pooling in the recesses, and it reads like two glazes layered when it is only one.

A pale yellow-green that breaks cream over the relief. Soft, and the most restrained of the three Floating colors we carry.

A pale blue-green with gray in it. Cooler and quieter than Floating Blue beside it.

A pale peach with lavender clouding drifting across the surface. The two colors separate rather than blend, which is the effect.

A warm red-brown with purple mottling through it, lifting lighter and more copper on the edges.

A very pale blue-white, close to a satin in how little it reflects. The lightest color in the series on our tile.

A bright red-orange mottled with pink. Busy, and it moves visibly across a flat tile.

A burnt orange with lighter apricot breaking through on the relief.

A pale pink-cream with a pearl cast. The softest thing on this shelf and an easy background color.

A bright red with darker crimson mottling through it. Strong, and one of the few in the series that reads as a solid color at a glance.

A pale gray-green, almost matte in how little it reflects, and one of the quietest colors we carry.

A pale peach-pink with lavender clouding drifting through it. A close relative of Fuzzy Peach on the shelf.

An amber gold with brown breaking on every edge. Spectrum writes it as Tiger Eye without the apostrophe.

A bright tomato red, opaque and even.

A dusty plum with pink and gray mottling, softer than the name suggests.

A dark brown that breaks to a warmer red-brown on the raised edges.

A cream with faint speckle through it. The quietest color in the group and a good background.

A near-black blue-gray with streaking through it. The dark counterpart to Cloud Burst.

A golden amber, warm and even. Spectrum lists a Texture Honey under two different numbers, so we have left the number off rather than guess which jar this is.

A bright yellow with darker gold pooling in the recesses.

A deep cobalt with green mottling breaking through the blue.

A pale lavender cream with fine sparkle through it.

A pale green ground broken hard with black crawling across the top. Nothing else on this shelf does that, and it is the reason people buy it.

A bright orange-red with a mottled surface underneath.

A very dark aubergine that reads black until the light finds the purple.

A pale blue-white with an opal shimmer where it thickens.

A teal green with gold breaking hard along the top edge, where the glaze thins.

A pale sage green, even and soft.

A dark charcoal gray with a dry, stony break.

An olive sage with blue drifting in from one edge. Two colors out of one jar.

A deep navy with white and pale blue running down through it like weather.