Various Families

A coral pink that breaks into orange and yellow with dark speckle floating through it. One of the most active surfaces on this shelf.

A dark olive brown with a metallic sheen. Reads like tarnished hardware rather than like a glaze.

A soft sage green over a warm ground, with the green pulling back to amber where the glaze thins over the relief.

A creamy off-white that breaks brown on every edge. Mayco notes the thinner it goes the more amber it reads, and the thicker it goes the more white floats.

A near-black brown with olive and amber breaking through in streaks. Looks like charred wood, which is the point.

A very dark brown, almost black in the field, breaking warmer on the raised edges.

A soft lavender blue with paler blooms drifting across it. Quiet and cloudy rather than flat.

A white semi-matte base carrying blue crystal blooms. Mayco builds it on White Matte and says the crystals melt into small blue blooms, which is exactly what our tile shows.

A pale turquoise green that pools deeper in the recesses and pulls almost white on the high points.

A pale blue with rust and brown speckle breaking through it, like mineral staining on limestone.

A dark brown ground with a copper green float sitting on top of it. Two colors in one glaze, and where they separate is up to the thickness.

A warm copper orange that breaks lighter and dustier over the raised lettering.

A very dark brown with a metallic cast and rust breaking on the edges.

A textured black that fires to a raised, cratered surface. This is a texture glaze, not a color one, and the thicker it goes the rougher it gets.

A warm sand gold, even and quiet, with the relief lifting slightly lighter.

A deep aubergine purple, glossy and even, with a lighter break on the raised edges.

A very dark green ground with turquoise crystals scattered across it. Dark until the light hits the crystals.

A pale butter yellow, soft and translucent, with the clay reading through where it thins.

A black ground with blue and brown crystal blooms spreading across it. One of the most dramatic surfaces we carry.

A pale ice blue, opaque and even, and one of the calmest tiles on this shelf.

A bright white gloss with a fine crackle pattern all through it. Mayco recommends rubbing ink into the cracks after firing to bring the pattern out.

A soft blue-gray with an opal shimmer where it pools. Subtle, and it changes with the angle you look at it.

A pale green ground with dark green and black mottling washing over it like stone.

A muted sage green, flat and even, that breaks a shade lighter over the relief.

A warm amber gold that breaks white and dusty across the raised lettering.

A soft green with darker green pooling in the recesses and gold breaking on the high points.

A dusty mauve purple with a soft mottle. Muted rather than bright.

A gray textured glaze that fires to a raised, cratered surface. Same family as Dark Magma, lighter ground, and again thickness controls the texture.

An acid yellow-green with dark green crystal blooms scattered over it. Loud.

A satin matte clear. Mayco says it fires to a satin matte at cone 5 and 6 and goes more satin at cone 10. This one is off the shelf and needs asking for.

A matte clear with a fine crackle pattern. Mayco's own name for it is Crackle Matte Clear. Rub ink into the cracks after firing to show the pattern.

A dark brown ground with fine gold micro-crystals scattered through it, closer to a metallic than to a color.

A mid blue ground carrying fine white and darker blue micro-crystals.

A warm amber gold with fine crystal texture through it and a lighter break over the relief.

An olive green ground with fine gold and green micro-crystals, and a warm break on the edges.

A pale cream with a fine pearl shimmer. The subtlest of the Micro group on our tile.

A deep navy with lighter blue and gold breaking across the relief. Dark, wet-looking and one of the strongest blues we carry.

A soft warm white, opaque and even, closer to old milk glass than to a bright white.

A pale mint green carrying fine dark speckle throughout.

A dark olive ground with gold breaking hard on every raised edge. The contrast is where this one earns its name.

A gray-green ground with heavy dark mottling and a pitted, cratered look.

A white textured glaze that cracks as it dries and stays cracked through the firing. Mayco is direct that if it does not crack before the firing it will not crack after, and that the texture makes it decorative only.

A sandy tan and olive that pools green in the recesses and goes gold on the high points.

A black ground with pale green and yellow crystal blooms opening across it.

A soft blue-gray with cloudy variegation, quiet and even.

A black ground with an olive green float sitting on top. The float gathers where the glaze pools.

A pale green cream with a gold lustre breaking on every edge.

A dark red-brown with lighter red and cream breaking through it.

A deep violet with blue and green crystal blooms scattered across it.

A red-brown ground with black pepper speckle over it.

A soft pink with an opal shimmer and paler blooms drifting across the surface.

A clean bubblegum pink with a pearl sheen. The brightest pink on this shelf.

A pale lavender with darker purple and blue speckle scattered through it.

A dusty raspberry pink, opaque and even, with very little break.

A pale blue-gray with rust and dark speckle mottling across it.

A deep glossy brown with amber breaking on the raised edges. Wet-looking and dark.

A soft pink with a pearly sheen and a lighter break over the relief.

A pale sand cream with dark speckle scattered through it, close to a real sandstone in reading.

A warm off-white with fine tan speckle. Quieter than Sandstone next to it.

A dark teal green with heavy rust and brown mottling over it, like something pulled out of the water.

A dusty olive gray with a warm gold break on the edges.

A mid denim blue that breaks lighter and warmer over the raised lettering.

A white ground with blue crystal blooms scattered across the surface, heavier toward the bottom where they ran.

A mottled brown and gold with streaks of deep red running through it. Genuinely looks like the stone.

A rich saturated teal, glossy, breaking to a lighter green on the relief.

A warm white with brown speckle gathering unevenly across the surface, like bark on snow.

A near-black brown with an intermittent metallic break. Mayco describes it as producing an intermittent effect rather than a flat color.