The Clay Hole home page
Your hands in clay, every single week.
Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Start my membership→Pick your Level on the next page. Month to month, no contract.
★★★★★4.9 on Google from 145+ reviews
This month’s new member deals 17 of 30 discounted spots left this month
Pottery is better with your people.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
Every question, already answered.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Walk in on day one already knowing the way.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
Where your pottery goes between kilns, what happens to the classes you skip, who wears which shirt, and the few rules that keep a busy room working.
Move up a Level, add Unlimited, take a break or change your card. Memberships renew on the 25th, and most changes go in before then.
Eight clays, one for every kind of pot.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Bisque is free. Glaze firing goes by size.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Bring a friend to your table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
Same price at every Level. If they join the same day, that day’s pass comes back to you.
Every two months · free
For one whole week, anyone who has never been here comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. One free visit per person, ever.
The few things that have to be yours.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Beginner’s Tool SetThe kit Green Level Members bring
Fingernail ClippersShort nails make throwing easier
Mayco Clay MenderFor cracks in dry and bisqued work
Epoxy for KintsugiFive-minute epoxy for golden repairs
Applicator BottlesSix bottles and tips for slip lines
Large Bead RackFor firing glazed beads
Six raku days in 2027, twenty spots each.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
Grab a drink. Pay on your phone.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Some days you just want to glaze.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
Take the studio’s know-how home with you.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
Right off I-15, open seven days a week.
12896 S Pony Express Rd, Suite 100, Draper, in the Pony Express Center. The next building north of Living Spaces, with a free shared lot out front.
217 pottery lessons, free to study.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Nobody expects you to know anything yet.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
Every way a pot goes wrong, and what to do about it.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Why Did My Pottery Do That?45 symptoms, the cause and the fix, in a line or two
Glaze Problems, Causes and FixesCrawling, pinholes, crazing and the rest, in depth
How to Rescue Pottery at Any StageWhat each stage still allows, and the odds
Reglazing and RefiringWhich failures refire, and how it is done
Four certifications. Each one opens part of the studio.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
248 slab molds, searchable by what they make.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
137 projects, three questions.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
The Pottery Skill TreeSixty-six skills, in the order they unlock
Clay & Pottery CalculatorsShrinkage, clay weight and firing cost
Pottery Paper TemplatesFifteen exact-size patterns, free for members
Logging Your Pottery and GlazesFour things to write down every time
Every guide on the site, shelved by what you are trying to do.
The pottery library sorts every guide, tool and post by the problem in front of you rather than the day it was written. Search it, or pick a shelf.
The Pottery Dictionary254 terms in plain English
Why Did My Pottery Do That?45 symptoms, the cause and the fix
The Pottery Cone ChartEvery cone from 022 to 14
Pottery Myths, Fact-Checked70 of them, against 117 sources
Is Handmade Pottery Food Safe?Almost always, and how to check
The Full Pottery ProcessBag of clay to finished piece
The videos that took off, sorted by mood.
Dan’s best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Incredible Ceramic Artist Videos24 free lessons by 15 makers, none of them ours
How Dan Throws Giant PotsSection by section, with the numbers
How to Dry Your PotteryThe video, and why S-cracks happen (opens in a new tab)
The Pottery Wheel IntroductionDan’s wheel video for new members (opens in a new tab)
There is a corner of the studio with your name on it.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
Pottery by Zodiac SignTwelve signs, one patient lump of clay
Personality and the Pottery WheelYour habits show up in about four minutes
Pottery for EngineersFor people who think for a living
ADHD, Hyperfocus, and Never Running OutA letter from Dan
Hobbies for BurnoutA room where you are allowed to be bad
Screen-Free Hobbies for AdultsSomething that asks for all your attention
Every Addiction I Ever Had Lost to ArtDan, on the blog
Functional Pottery Is EngineeringA mug is a set of tolerances
Every studio near you, including the ones that suit you better.
We run one of these studios, and several of the others are wonderful. So we lined them up side by side: what each one charges, how each one works, and when another studio is the better pick.
The people who fill this place.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Parties, contests and one gallery night.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Six weeks a year, your friends come in free.
Every other month, for a whole week, members can walk in with anybody who has never touched clay here, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
Things we probably should not have built.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
Every message goes straight to Dan.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Nobody goes home with a bowl. That is the entire point.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
We are always looking for our next instructor.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
Every glaze we stock, fired on our own clay.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
Type a name. An arrow points to the slot.
The Glaze Finder shows the real glaze wall and marks the shelf, row and slot a bottle lives in. Search by name, brand or family, or press Surprise Me and let it pick for you.
Every bottle wears a colored sticker.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Glaze is glass, made on purpose, stuck to a pot.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Two certifications, then the wall and the buckets are yours.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
Four fluxes, 32 stains, and two fees worth knowing.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Bisque at cone 05. Glaze at cone 5½.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
Dan Pearce built this place for the people in it.
Writer, potter and artist, with millions of people following along online. He ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
Your hands in clay, every single week.
Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Start my membership→Pick your Level on the next page. Month to month, no contract.
★★★★★4.9 on Google from 145+ reviews
This month’s new member deals 17 of 30 discounted spots left this month
Pottery is better with your people.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
Every question, already answered.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Walk in on day one already knowing the way.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
Where your pottery goes between kilns, what happens to the classes you skip, who wears which shirt, and the few rules that keep a busy room working.
Move up a Level, add Unlimited, take a break or change your card. Memberships renew on the 25th, and most changes go in before then.
Eight clays, one for every kind of pot.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Bisque is free. Glaze firing goes by size.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Bring a friend to your table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
Same price at every Level. If they join the same day, that day’s pass comes back to you.
Every two months · free
For one whole week, anyone who has never been here comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. One free visit per person, ever.
The few things that have to be yours.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Beginner’s Tool SetThe kit Green Level Members bring
Fingernail ClippersShort nails make throwing easier
Mayco Clay MenderFor cracks in dry and bisqued work
Epoxy for KintsugiFive-minute epoxy for golden repairs
Applicator BottlesSix bottles and tips for slip lines
Large Bead RackFor firing glazed beads
Six raku days in 2027, twenty spots each.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
Grab a drink. Pay on your phone.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Some days you just want to glaze.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
Take the studio’s know-how home with you.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
Right off I-15, open seven days a week.
12896 S Pony Express Rd, Suite 100, Draper, in the Pony Express Center. The next building north of Living Spaces, with a free shared lot out front.
217 pottery lessons, free to study.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Nobody expects you to know anything yet.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
Every way a pot goes wrong, and what to do about it.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Why Did My Pottery Do That?45 symptoms, the cause and the fix, in a line or two
Glaze Problems, Causes and FixesCrawling, pinholes, crazing and the rest, in depth
How to Rescue Pottery at Any StageWhat each stage still allows, and the odds
Reglazing and RefiringWhich failures refire, and how it is done
Four certifications. Each one opens part of the studio.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
248 slab molds, searchable by what they make.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
137 projects, three questions.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
The Pottery Skill TreeSixty-six skills, in the order they unlock
Clay & Pottery CalculatorsShrinkage, clay weight and firing cost
Pottery Paper TemplatesFifteen exact-size patterns, free for members
Logging Your Pottery and GlazesFour things to write down every time
Every guide on the site, shelved by what you are trying to do.
The pottery library sorts every guide, tool and post by the problem in front of you rather than the day it was written. Search it, or pick a shelf.
The Pottery Dictionary254 terms in plain English
Why Did My Pottery Do That?45 symptoms, the cause and the fix
The Pottery Cone ChartEvery cone from 022 to 14
Pottery Myths, Fact-Checked70 of them, against 117 sources
Is Handmade Pottery Food Safe?Almost always, and how to check
The Full Pottery ProcessBag of clay to finished piece
The videos that took off, sorted by mood.
Dan’s best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Incredible Ceramic Artist Videos24 free lessons by 15 makers, none of them ours
How Dan Throws Giant PotsSection by section, with the numbers
How to Dry Your PotteryThe video, and why S-cracks happen (opens in a new tab)
The Pottery Wheel IntroductionDan’s wheel video for new members (opens in a new tab)
There is a corner of the studio with your name on it.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
Pottery by Zodiac SignTwelve signs, one patient lump of clay
Personality and the Pottery WheelYour habits show up in about four minutes
Pottery for EngineersFor people who think for a living
ADHD, Hyperfocus, and Never Running OutA letter from Dan
Hobbies for BurnoutA room where you are allowed to be bad
Screen-Free Hobbies for AdultsSomething that asks for all your attention
Every Addiction I Ever Had Lost to ArtDan, on the blog
Functional Pottery Is EngineeringA mug is a set of tolerances
Every studio near you, including the ones that suit you better.
We run one of these studios, and several of the others are wonderful. So we lined them up side by side: what each one charges, how each one works, and when another studio is the better pick.
The people who fill this place.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Parties, contests and one gallery night.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Six weeks a year, your friends come in free.
Every other month, for a whole week, members can walk in with anybody who has never touched clay here, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
Things we probably should not have built.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
Every message goes straight to Dan.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Nobody goes home with a bowl. That is the entire point.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
We are always looking for our next instructor.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
Every glaze we stock, fired on our own clay.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
Type a name. An arrow points to the slot.
The Glaze Finder shows the real glaze wall and marks the shelf, row and slot a bottle lives in. Search by name, brand or family, or press Surprise Me and let it pick for you.
Every bottle wears a colored sticker.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Glaze is glass, made on purpose, stuck to a pot.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Two certifications, then the wall and the buckets are yours.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
Four fluxes, 32 stains, and two fees worth knowing.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Bisque at cone 05. Glaze at cone 5½.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
Dan Pearce built this place for the people in it.
Writer, potter and artist, with millions of people following along online. He ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
You’ve come to the right place. At The Clay Hole, Christmas is more than just a holiday. It’s a full-on creative season. From festive ceramics to charming hand-built ornaments, we’re overflowing with projects that are as fun to make as they are to display. Whether you’re a total beginner or a seasoned potter, you’ll find tons of inspiration and guidance here for making your own Christmas decorations out of clay.
This is the season to dive into hands-on Christmas pottery projects that blend wheel throwing, hand-building, and sculpting. Try your hand at making jolly Santa mugs, twinkling ornament bowls, snowman figurines, reindeer planters, holiday candle holders, or even personalized gift tags. Each one a unique opportunity to grow your skills and bring your imagination to life. These aren’t generic decorations from the store. These are one-of-a-kind ceramic Christmas pieces you’ll be proud to say you made yourself.
But the best part? You’re not doing it alone. The studio is alive with creative energy. Members laughing, swapping ideas, and sharing their own Christmas pottery creations in a community that makes the whole experience even more magical. So whether you're searching for Christmas pottery ideas to get started or looking to push your skills further this winter, there's no better time to get involved.
Wheel-thrown or hand-built, Christmas tree pottery pieces are a joyful way to celebrate the season. From classic pine shapes to stylized, modern trees adorned with tiny clay ornaments, they’re perfect for centerpieces or mantel displays. The best part? You can glaze them in sparkling greens, reds, or frosty whites, adding that perfect festive shimmer. Each tree is a mini canvas to bring your holiday spirit to life.
Festive character figurines are a Christmas staple here, and it’s easy to see why. From jolly Santas with rosy cheeks to cheeky elves and playful reindeer, these little clay figures bring holiday cheer in every detail. Whether you’re sculpting tiny mittens or carving intricate facial expressions, these hand-built pieces capture the magic of the season. Plus, each figurine can be personalized with your own whimsical touches, making every one uniquely yours.
Hand-crafted ceramic ornaments are the ultimate keepsake, and making them is half the fun. Whether you shape delicate stars, charming snowflakes, or tiny gift boxes, these ornaments let you experiment with textures, patterns, and glazes. Add your own hand-painted details or embossed designs to create heirloom-quality decorations that will hang proudly on your tree year after year.
Holiday gatherings call for standout serving bowls, and nothing beats a beautifully glazed ceramic piece for the occasion. Whether you’re throwing a classic round bowl or hand-building an oversized centerpiece, these pots shine with seasonal colors. Deep reds, pine greens, frosty blues, and glittering whites. Use them for everything from cranberry sauce to festive salads, and watch your guests admire your craftsmanship.
Nothing sets a cozy holiday mood like a glowing ceramic lantern. Hand-built with cut-out designs of snowflakes, stars, or Christmas trees, these lanterns create magical light patterns when lit. Wheel-thrown versions with sculptural handles or bases add elegant touches. Decorating your home with these warm, inviting pieces turns any room into a winter wonderland.
Ceramic gift boxes add a special touch to holiday giving. Whether you’re crafting small hand-built keepsake boxes or wheel-thrown containers with lids, these pieces combine beauty and function. Adorn them with festive designs like poinsettias, snowflakes, or ribbons sculpted into the clay. They’re perfect for presenting jewelry, sweets, or tiny treasures with a personal, handmade touch.
No Christmas pottery collection is complete without a festive cookie plate for Santa’s treats. These hand-built or wheel-thrown plates are designed with holiday motifs. Think candy canes, holly leaves, or snowflakes etched into the surface. Functional yet decorative, they invite you to serve up some holiday magic with every batch of cookies you leave out. Plus, they make perfect gifts for cookie lovers!
Bring holiday cheer into your kitchen with pottery designed for everyday use. Hand-built spoon rests decorated with holly berries, candy canes, or snowmen add festive flair to your countertop. Large utensil canisters glazed in rich reds and greens keep your tools handy while adding seasonal style. These functional pieces make cooking feel even more special during the holidays.
Whether you're shaping twinkling holiday lanterns, sculpting jolly Santas, or crafting charming candy dishes, there’s no wrong way to get creative this season. At The Clay Hole, we believe Christmas pottery should be joyful, personal, and filled with festive cheer. So go ahead. Gather your ideas, book your spot, and let’s make something beautifully merry together.
New member deal
30 of 30 discounted spots left this month
Tell us where to send it and this month’s deal lands in your inbox. If this month runs out, you get next month’s before it opens.
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It should land in the next few minutes. One thing while you wait: we are members only and we do not run walk-in tours, so the virtual tour is the closest you can get to standing in one.
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One question
We started in Draper, Utah, and we would like to be in more places than that. Where they go next is the part we have not worked out yet.
Where are you?
That is how we work out where the demand actually is. The rest is so we know who to tell.
Got it
Being straight with you: this could be a long wait, and we will not email you in the meantime. If your area is where the numbers land, you will be the first to know.
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