A cooler firing
Horsehair does not need the heat of a glaze firing, so pots come out sooner and the day runs faster.

Hair, feathers and sugar laid on a hot, polished pot, each one burning its own black mark into the clay. This is how a horsehair day works at The Clay Hole, what your pots need before you come, and what to bring. The full technique, with videos, lives in the University.
A strand of hair is mostly carbon. A very hot, very dry, polished pot is very good at grabbing carbon and never letting go. Lay the hair on, it sizzles and curls, and the pot locks a black line into its own surface as it cools.
Feathers leave a soft, fern-shaped silhouette. Sugar leaves small black dots. Every pot comes out different, and none of it can be drawn on purpose.
A horsehair pot is decorative. No glaze, an open body and a decoration made of carbon, so it is not food safe and it does not hold water. It holds dried flowers, or nothing at all.

Same barn in Alpine, same kilns, same safety meeting as every raku day. Almost everything after that changes, and the day moves faster because of it.
Horsehair does not need the heat of a glaze firing, so pots come out sooner and the day runs faster.
The galvanized cans get flipped upside down. Your hot pot sits on top of one while you work, at a height you can reach from every side.
Everything goes on by hand in welding gloves, or with a pair of giant tweezers for the fine work.
Nothing goes into a can and nothing gets smothered. The pot cools in the open air where it sits.
There is no glaze to clean, so what you see on the can is what you take home.
The extra over a glaze raku day covers the terra sigillata, the horse hair and the pricier materials a horsehair day goes through.
Every piece has to be made, coated in terra sigillata at bone dry, burnished and bisque fired before the workshop. Registrants use the terra sigillata at the studio during their regular sessions. Tap a card to see why each one matters.
We bring a huge assortment of feathers, including turkey, pheasant, duck, rooster and dozens of other birds from around the world. Plenty of horse hair too, in medium and heavy coarseness, and sugar. Ostrich, peacock and other large feathers are not supplied. Bring those if you want them, along with anything else you want to try.
Heavy hair burns thick, dark lines with a strong curl and a gray smoke halo beside them. Medium hair draws a finer line. Both are supplied, and both make for a satisfying first pot.
Finer, wispier lines. Lighter, so it drifts in a breeze. Lovely mixed in with tail hair.
A soft branching silhouette, like a fern pressed into the clay. Needs a hot pot and firm contact.
Small round black dots wherever the grains land. Goes on last, because it bounces.
Ferric chloride gives rust oranges and browns. We do not supply it. Bring your own if you want it, and keep it in its own container and in gloved hands.
Drag the slider and watch the sky do what it is going to do. June runs hot, with the misters on all day. October runs crisp in the morning and mild by lunch.
Get your pots out of the car and claim a spot near the cans. Sort your hair into small loose bundles and lay your feathers out flat. Once a pot comes out of the kiln, there is no time to untangle anything.
The start time is real. The rest is not a schedule. Raku takes exactly as long as raku takes, and nobody leaves until the last pot is out and the site is clean, because whoever lands in the final round deserves the same crowd the first round got.

The pot leaves the barn finished, but bare. Most people seal it for a richer look and a little protection from fingerprints and dust.
We do not supply sealer. We recommend Renaissance Wax, Trewax with Carnauba, Mink Oil, or a clear acrylic spray like Krylon.
Even sealed, a horsehair pot stays decorative. It is not food safe and it does not hold water.
Tap any picture to see it bigger.
$175 a spot, not included in membership, open to current and past members. Register on the workshop page; every rule, the address and the full packing list are there too.
Prefer glaze raku? There are two daytime raku days and two nighttime raku nights on the 2027 calendar.
The kiln still runs well over a thousand degrees, and hot pots move between people. That is the part of this nobody jokes about.
Every unload is choreographed and walked through before the lid ever closes: where you stand, where your hands go, who moves first. We have not had an injury at one of these, and the reason is that everyone out there runs the same play. That is why the safety meeting is not optional, and why anybody who misses it cannot participate. Everybody sits through at least one in person, first-timers without exception.
It is the safety meeting on your couch, with a short quiz at the end. Optional, and recommended. Once you have also sat through a meeting in person, being certified means you can help set up during the next one instead of hearing it again, so the first pots go in the minute the meeting ends. You still arrive on time, you still sign the waiver, and you still do exactly what you are told near the kilns. Take the raku certification.
No. Raku workshops are optional and cost extra. A horsehair spot is $175. Your membership still covers the studio time you use to coat, burnish and bisque your pots.
No. Everybody sits through the safety meeting in person, and it covers everything you need near the kilns. The online raku certification is a good way to know what is coming.
No. Glaze is the one thing that stops the marks from taking. Bring bare, polished, bisqued pots.
At the studio. Once you are registered, use it during your regular sessions, then send the pot through the normal bisque.
No. We bring a huge assortment of feathers, including turkey, pheasant, duck, rooster and dozens of other birds from around the world, plus plenty of horse hair in medium and heavy coarseness, and sugar. Ostrich, peacock and other large feathers are not supplied. Bring those if you want them, or other animal hair, syrup, yarn, string soaked in shoe polish or polyester thread.
No. It is decorative only, and it does not hold water, sealed or not.
No refunds for any reason, and no switching to a future workshop. You can sell your spot to another current or past member for what you paid or less. Tell Dan at class who is taking it.
Arrive after 10:10 and you cannot participate, and there is no refund. Gates open at 9:45 for exactly this reason.
Every workshop policy, from weather to spectators, is on each workshop page. Read them on the June 26 page.
Twenty on each Saturday. Pick one, register, and start coating pots.
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