Mayco

Since 1955/Hilliard, Ohio

Mayco make more glaze lines than anyone else we buy from, and the lines behave nothing like each other.

Stroke & Coat is the one most people meet first. The Stoneware lines are a different animal, and the Specialty glazes are different again.

197glazes on our shelves
7families
17studio favorites
Mayco glazes at The Clay Hole pottery studio

Mayco by membership level

Every Mayco glazes we stock, sorted by the level that covers it.

6Yellow Level
161Purple Level
22Kept for the owner, buy your own
29good on texture

The 7 Mayco families we carry

Jump straight to a family

7 to choose from

2 of 7

Stroke & Coat

Sixty colors that do not move or blend. One coat is translucent, three is solid, and it fires glossy with no clear over the top.

60glazes
60Purple

Cone 06 to cone 6, over cone 04 bisque

See all 60 Stroke & Coat glazes

4 of 7

Matte

Twenty stoneware mattes. Quiet surfaces that break over texture, and the shelf to raid when a gloss would fight the form.

20glazes
6Yellow
14Purple

Cone 5 to cone 10, over cone 04 bisque

See all 20 Matte glazes

5 of 7

Raku

Six raku glazes at the metallic end of the shelf. Copper penny, oil slick and black metallic, all of them leaning hard on the reduction.

6glazes

Cone 06, over cone 04 bisque

See all 6 Raku glazes

6 of 7

Flux

A flux melts and runs down the pot, pulling the color underneath along with it. Buy your own.

2glazes

Cone 5 to cone 6, over cone 04 bisque

See all 2 Flux glazes

7 of 7

Low-Fire

Twenty two Mayco crystal glazes. Low-fire, so we use them in raku. Glass frit that blooms in the kiln.

22glazes
22Owner only

Cone 06 to cone 6, over cone 04 bisque

See all 22 Low-Fire glazes

About Mayco

Mayco Colors is run by Coloramics out of Hilliard, Ohio, and their own material puts more than sixty five years behind the brand.

Their catalog runs past four hundred glazes, which is why our shelf carries Mayco under several separate family headings rather than one.

About these images and what your pot will actually look like

We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.

Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.

A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.

On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.

Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.

Download the Glaze Bible PDF