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Various Families
Sixty seven Mayco stoneware glazes on one shelf. Classics, gloss, crystals, opals and the texture glazes.
Cone 5 to cone 10, over cone 04 bisque
See all 67 Various Families glazesSince 1955/Hilliard, Ohio
Mayco make more glaze lines than anyone else we buy from, and the lines behave nothing like each other.
Stroke & Coat is the one most people meet first. The Stoneware lines are a different animal, and the Specialty glazes are different again.
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Every Mayco glazes we stock, sorted by the level that covers it.
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Nothing by that name.
7 to choose from
1 of 7
Sixty seven Mayco stoneware glazes on one shelf. Classics, gloss, crystals, opals and the texture glazes.
Cone 5 to cone 10, over cone 04 bisque
See all 67 Various Families glazes2 of 7
Sixty colors that do not move or blend. One coat is translucent, three is solid, and it fires glossy with no clear over the top.
Cone 06 to cone 6, over cone 04 bisque
See all 60 Stroke & Coat glazes3 of 7
Twenty Stroke & Coat colors with contrasting specks suspended in the glaze. Coat count decides how many specks you get.
Cone 06 to cone 6, over cone 04 bisque
See all 20 Stroke & Coat Speckled glazes4 of 7
Twenty stoneware mattes. Quiet surfaces that break over texture, and the shelf to raid when a gloss would fight the form.
Cone 5 to cone 10, over cone 04 bisque
See all 20 Matte glazes5 of 7
Six raku glazes at the metallic end of the shelf. Copper penny, oil slick and black metallic, all of them leaning hard on the reduction.
Cone 06, over cone 04 bisque
See all 6 Raku glazes6 of 7
A flux melts and runs down the pot, pulling the color underneath along with it. Buy your own.
Cone 5 to cone 6, over cone 04 bisque
See all 2 Flux glazes7 of 7
Twenty two Mayco crystal glazes. Low-fire, so we use them in raku. Glass frit that blooms in the kiln.
Cone 06 to cone 6, over cone 04 bisque
See all 22 Low-Fire glazesMayco Colors is run by Coloramics out of Hilliard, Ohio, and their own material puts more than sixty five years behind the brand.
Their catalog runs past four hundred glazes, which is why our shelf carries Mayco under several separate family headings rather than one.
We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.
Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.
A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.
On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.
Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.