Matte

A soft off-white matte with warmth in it rather than a cold white. On our tile the raised lettering barely separates from the field, which makes it a quiet background.

A golden tan matte with a sandy, granular look. Breaks lighter and drier over the raised lettering.

A deep navy matte, mottled rather than flat, breaking to a lighter blue across the relief.

A flat black with a dry surface and very little sheen. Even across the tile with almost no break.

A very dark brown matte that breaks warmer and redder on the raised edges. Reads almost black in the field.

A pale cream matte with faint pink and gray flecks through it. One of the softest colors in the line.

A dark warm gray-brown matte. On our tile the relief lifts to a lighter taupe, which is where the leather comparison comes from.

A soft yellow matte with mottling and white variegation through it. Mayco built three of this line, Weathered Blue, Storm Gray and Lemon Meringue, to change with coat count: one coat shows more color, extra coats increase the mottling and white variegation.

A pale lavender matte, opaque and flat, with very little break over the relief.

A pale wheat cream matte, warmer than Alabaster and a shade deeper.

A dusty salmon pink matte, opaque and even. Muted rather than sweet.

A very dark green matte that breaks to a lighter olive over the raised lettering. Nearly black in the flat field.

A teal green matte with heavy mottling and lighter variegation across the surface. Busier than Wintergreen or Satina Patina beside it.

A dark red-brown with a metallic cast and a mottled, corroded look. Sits at the glossier end of a matte line.

A soft blue-green matte with a patina-like mottle through it. Mayco calls it Satin Patina.

A light gray matte with cloudy mottling and white variegation. Mayco built three of this line, Weathered Blue, Storm Gray and Lemon Meringue, to change with coat count: one coat shows more color, extra coats increase the mottling and white variegation.

A soft dusty blue matte with mottling and white variegation across it. Mayco built three of this line, Weathered Blue, Storm Gray and Lemon Meringue, to change with coat count: one coat shows more color, extra coats increase the mottling and white variegation.

A clean flat white matte. Opaque and even, and a quieter background than Alabaster or Macadamia, which both carry warmth.

A pale sage green matte, quiet and even, with only a slight break over the relief.

A near-black brown matte that breaks to a warm brown on the raised edges. Darker than Black Walnut, and the closest this line gets to black without being Black Matte.