Mid-Fire

38 glazes / Speedball

Thirty eight jars: thirty five of Speedball's thirty six mid-fire colors, plus their three fluxes.

Speedball developed the line with the ceramic artist Nancy Sowder, and the pitch is honest about what it does. One color in the jar, mottled and reduction-like out of the kiln, without layering anything.

Cone 5/6Bisque to Cone 04

Mid-Fire by the numbers

38glazes on our shelves
35at Black Level
22good on texture

Every Mid-Fire glaze we have in house

Hover any tile to see a pot fired in it, or tap once on a phone.

Jump straight to one

38 to choose from

Order
Basque Green glaze test tileA pot fired in Basque Green
Basque Green

SpeedballMid-Fire

⬛ Black Level

Tile #29

Good on texture

An olive green with gold breaking on the raised edges and a mottled surface underneath.

Blue Flame glaze test tileA pot fired in Blue Flame
Blue Flame

SpeedballMid-Fire

⬛ Black Level

Tile #28

A dusty blue-lavender with pink drifting through it. One of the softest surfaces in the line.

Carolina Flux glaze test tileA pot fired in Carolina Flux
Carolina Flux

SpeedballMid-Fire

Buy your own

Tile #28

One of the three fluxes on this shelf. Pale gold and mottled on its own, but its job is to move whatever sits under it.

Cocoa Flux glaze test tile
Cocoa Flux

SpeedballMid-Fire

Buy your own

Tile #29

A flux with a warm brown cast. Like the other two, it is built to melt and run rather than to be a color on its own.

Dragon Stone glaze test tileA pot fired in Dragon Stone
Dragon Stone

SpeedballMid-Fire

⬛ Black Level

Tile #3

A pale green ground broken hard with black crawling across the top. Nothing else on this shelf does that, and it is the reason people buy it.

Jasper glaze test tileA pot fired in Jasper
Jasper

SpeedballMid-Fire

⬛ Black Level

Tile #19

A deep red-brown, glossy and dark, with the color pooling nearly black in the low spots.

Nightshade glaze test tileA pot fired in Nightshade
Nightshade

SpeedballMid-Fire

⬛ Black Level

Tile #21

Good on texture

A true flat black, even across the tile. Darker and flatter than Midnight Plum or Smoke.

Teal Agate glaze test tileA pot fired in Teal Agate
Teal Agate

SpeedballMid-Fire

⬛ Black Level

Tile #17

Good on texture

A deep teal that pools darker in the recesses and lifts lighter on the relief.

Wisteria glaze test tileA pot fired in Wisteria
Wisteria

SpeedballMid-Fire

⬛ Black Level

Tile #11

Good on texture

A soft lavender with a shimmer through it, quieter than Lavender Mist beside it.

Pots decorated with Speedball Mid-Fire glazes at The Clay Hole pottery studio

How the Mid-Fire line works

This is the Black Level shelf, and the reason is on the tiles. Dragon Stone crawls black over green. Variegated Lapis runs white down through navy. Storied Sage brings in a blue that is not in the name.

None of that needs a second glaze. It is one jar doing the work of two.

Coats

Three coats on cone 04 bisque unless a glaze's own page says otherwise. These are built to break and mottle, so an even coat still gives you variation.

Layering

Speedball publish a layering library for this line, and layering two of them is where it gets genuinely unpredictable. Test on a tile before you commit a pot.

Food and safety

Speedball carry the AP seal across the line. Anyone selling functional ware should test their own finished work.

Clays that suit Mid-Fire

Clay body and thickness both move these. On our darker bodies the pale ones go noticeably deeper.

Test tile pots lined up on the glaze shelves at The Clay Hole

The Mid-Fire test tile pot

Every glaze family on our shelves has its own test tile pot, and it is the fastest way to decide what to put on a piece. It is a fired pot wearing the whole family, one numbered tile per glaze, on a surface built to show you what that glaze actually does rather than just what color it is.

Look for Speedball Mid-Fire written on the rim. Each glaze on this page carries its tile number, and the numbers run around the pot.

One trick worth knowing

Some glazes tell you loudly that they run. Others hide it. Look at how the brushed lines fired: crisp edges mean a stable glaze, and edges that went soft and fluid mean it moved, and it will move on your pot too.

About these images and what your pot will actually look like

We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.

Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.

A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.

On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.

Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.

Download the Glaze Bible PDF