Dipping Glazes

7 glazes / The Clay Hole

Seven buckets we mix ourselves. They are the only glazes in the Bible that do not come from a manufacturer, and the only ones you dip rather than brush.

That is why they are not on the glaze shelves. They live in buckets, and a piece goes in and comes out in seconds.

Cone 5½Bisque to Cone 04

Dipping Glazes by the numbers

7glazes on our shelves
6at Purple Level
1at Black Level

Every Dipping Glazes glaze we have in house

Hover any tile to see a pot fired in it, or tap once on a phone.

Jump straight to one

7 to choose from

Clear as Mud glaze test tileA pot fired in Clear as Mud
Clear as Mud

The Clay HoleDipping Glazes

🟪 Purple Level

No Tile

Our clear. The tile for it is dipped over a rainbow of underglaze so you can actually see what it does, which is nothing except make the color underneath brighter and glossy.

Tamjoda glaze test tileA pot fired in Tamjoda
Tamjoda

The Clay HoleDipping Glazes

🟪 Purple Level

No Tile

A soft olive green with a stony surface. Four seconds, the longest dip of the seven, and it needs every one of them.

Pots decorated with The Clay Hole Dipping Glazes glazes at The Clay Hole pottery studio

How the Dipping Glazes line works

The dip time is the recipe. One second on Bronzealot and Sunny Charcoal, three on most of the rest, four on Tamjoda.

There is no undo on a bucket. A second too long is a coat too thick, and thick is how a dipping glaze ends up on the kiln shelf instead of the pot.

Coats

One dip, for the number of seconds on that glaze's page. Not two dips, and not a top up.

Layering

These are a finish rather than a base. Brush-on glazes over a dipped pot is not something to try without asking a staff member first.

Food and safety

Mixed here and fired here on one schedule, which is the only way we can say anything about them with confidence. Ask a staff member before using one on anything unusual.

Test tile pots lined up on the glaze shelves at The Clay Hole

The Dipping Glazes test tile pot

This family does not have a test tile pot. The colors and results come out close enough to what the book shows that a pot would not tell you much more, so work from the printed Glaze Bible and the tile above.

About these images and what your pot will actually look like

We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.

Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.

A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.

On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.

Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.

Download the Glaze Bible PDF