The Clay Hole University · Project Guides
Lidded Jars with a GalleryPrintable pottery guide
The whole lidded jar, in the order you make it: the rim you leave heavy on purpose, the ledge you cut in it, the number you measure before the pot leaves the wheel, and the ten days after that decide whether the lid still fits.
- Skill level: Advanced
- 32 printable pages
- 6 video picks
- 6-question quiz + answer key
- Instant download
- Prints on any printer
- The lesson stays free
What is the Lidded Jars with a Gallery printable guide?
It is the lidded jar on paper: what a gallery is and why it can only be cut while the pot is wet and turning, how to size the opening, starting weights for four common jars, the eight throwing steps, three ways to cut the ledge, how to measure the collar with calipers, the lid in seven steps, three kinds of knob, trimming the lid on its own jar, and how to keep the pair together through drying, bisque and glaze. Built to be printed, written in and kept by the wheel across the three visits a jar takes.
Prefer to read it online first? The “Lidded Jars with a Gallery” lesson is free, and always will be.
- 32printable pages, US Letter
- 6quiz questions, with a full answer key
- 6hand-picked videos, each with a QR code
- 21glossary terms in plain language
- 2workbook pages you fill in yourself
The ledge takes a few minutes. The fit takes ten days
A mug is finished when you say it is. A jar with a lid is not, because the lid is a second pot that has to match the first one exactly, after both of them have dried, been fired and shrunk. Most of the throwing is throwing you already know.
What is new is the order. The gallery is cut from clay you left behind on purpose while the pot was still spinning, so it cannot be added later. The number that decides whether the lid fits is taken with calipers before the pot comes off the wheel. And then the jar and its lid have to get through a week of drying together, which is a stretch nobody films.
That order is what this guide is for. It puts the decisions where you will be standing when you make them, and it gives the waiting a list to come back to.
Real pages, for a bench with calipers on it
These are actual pages from the guide, shown here with the sample watermark.

Before you beginSix boxes on one page: what you will learn, what to have on the bench, what is worth knowing, the common pitfalls, what success looks like and how to practice. Read it before you throw and again before you glaze. 
The anatomy of a galleryThe jar cut in half, with seven numbered parts and the key beside the drawing rather than a page away from it. It is the picture to keep in your head while you cut the ledge. 
Scan codes, then what goes wrongEvery video card carries a scan code that goes straight to the video, and under them the troubleshooting begins: find the symptom, read the cause. Nearly every one was decided at the wheel, days before it showed. 
Every jar, and the number you measuredA log to write in: the clay you used for the body and the lid, the number you took at the collar, how many days it took to dry and what actually happened. Two rows in and the second jar starts from a number instead of a memory.
You will be reading it with slip on your hands
A lidded jar is made in short bursts at the wheel with days of waiting between them. Paper suits both.
It holds still
A page stays where you left it while you cut a ledge with both hands, and it does not time out or need slip wiped off the screen.
Ten days in the middle
The fit is settled somewhere in the week and a half after you wire the lid off, with nobody watching. A list to come back to beats a video you would have to rewatch to find the one line about the plastic.
A number to write down
The measurement that matters is taken with calipers, at one place, while the pot is wet. The guide has a page for it, beside how long the pair took to dry.
It stays by the bench
The plan across three visits belongs next to the wheel, and the one page summary belongs above the drying shelf, because that is where the question actually gets asked.
Rebuilt for paper, not printed from a web page
Every guide in the series is set from scratch for print. Here is what that meant for this one.
The table, run again
The lid is roughly a quarter of the body in every row of the jar table, as the text says. We recomputed each one before it went in.
Sanded wet, every time
The lesson told you to smooth a high spot on bisque dry. The guide says wet sandpaper or a wet sanding sponge, never dry, because dry sanding bisque puts silica dust in the air. The free lesson has been corrected too.
The kiln rule, put back
The glazing list now says what the studio has always said: a kiln cookie or a glaze catcher goes under the pair, every time, with no exceptions.
A food jar, done properly
Sugar, coffee and cookie jars hold food, so the guide says the glaze inside has to be one its maker rates for that, and points you to the studio’s food safe glaze lookup.
A quiz that explains itself
Six questions, and an answer key that gives the reason behind every answer rather than only the letter.
Codes that keep working
Every link is a short Clay Hole address. If a video moves, we repoint the address and your printed copy still goes to the right place.
The lesson is free. It always will be.
All of the teaching in this guide comes from the free “Lidded Jars with a Gallery” lesson, and that lesson is not going anywhere.
Most of what I teach at the wheel is about feel. This is the one job where I would ask you to trust a number over your hands.
The jar and its lid have to get through a week of drying as a pair, then two firings, and the only thing you can do about any of it is be dull and consistent.
When they come out of the kiln, bring the good ones and the bad ones. The bad ones are more use to me.
Dan Pearce, founder of The Clay Hole
Build a little pottery library
Every printable guide in The Clay Hole University series takes one free lesson and rebuilds it for paper, with workbook pages, a glossary and a quiz with a worked answer key. Each one keeps its number for good, so a guide you buy today is the same guide in the same place next year.
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Three guides that pick up where this one leaves off
Each one is free to read online, and the codes in the guide take you straight there.
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Guide 06.09 · free lessonThrowing Lids That FitThis guide is the jar and its ledge. That one is the lid: every lid family, the caliper method in full, and twelve ways a lid stops fitting. The two are meant to be read together and neither repeats the other.
Read the free lesson -
Guide 08.12 · free lessonLidded Boxes and Treasure BoxesA lidded box gets its lid the opposite way round: build the form closed, then cut the lid off it, so the two halves fit because they were one piece a moment ago. It is the same promise as your gallery jar, reached from the other side, and it is the route the closed form video in this guide is about.
Read the free lesson -
Guide 08.13 · free lessonButter Dishes with a Domed LidHere the lid has to fit something that will not shrink along with it, a stick of butter. It is the fitting problem you have just learned with one twist, and it shows how much of the work is deciding the measurement before you throw.
Read the free lesson
Good to know
How is this different from the free lesson?
Do I need a wheel?
Do I need calipers?
Is this too early for me?
Can I use it for a jar that holds food?
Will it work with my kiln?
Do I need a fancy printer?
Does it print in black and white?
Can I print just part of it?
Can I read it on a screen instead?
How does delivery work?
What happens if the guide is updated?
Can I share it?
Cut the ledge in the first few minutes. Then be dull for ten days
Leave the rim heavy, take the number before the pot comes off the wheel, and keep the pair together from the moment you wire the lid off. Do those three and the rest is throwing you already know. Skip any of them and no amount of skill later will make the lid fit, which is why this one is worth reading before you start rather than after the first one rocks.
Get the guide · $10.00


