The Clay Hole University Ā· Surface and Decoration
Melting Glass Into PotteryPrintable pottery guide
The whole job, in the order you do it: why glass is a liquid at stoneware heat, how to build a well that holds it, which glass to use and how little, and what to expect when it cracks.
- Skill level: Intermediate
- 19 printable pages
- 2 video picks
- 8-question quiz + answer key
- Instant download
- Prints on any printer
- The lesson stays free
What is the Melting Glass Into Pottery printable guide?
It is the glass lesson on paper: why most tutorials are written for a cooler kiln than a stoneware firing, how to build a well with real walls, which glass is safe to use and which never is, how little glass is enough, why glass cracks and what you can and cannot control, and what a glass piece can never be. Built to be printed, read before you make the piece and kept where you glaze.
Prefer to read it online first? The āMelting Glass Into Potteryā lesson is free, and always will be.
- 19printable pages, US Letter
- 8quiz questions, with a full answer key
- 2hand-picked videos, each with a QR code
- 15glossary terms in plain language
- 2workbook pages you fill in yourself
The photo is not the recipe
Almost every picture of melted glass in a pot was made in a kiln much cooler than a stoneware firing. At that heat glass pools deep and sits still. At ours it is a liquid, and it goes to the lowest point of the piece and keeps going.
What makes a glass piece come out is unglamorous: a well with real walls, far less glass than you think, a catch under the piece, and being straight about what it is when it changes hands. Each one is easy to skip when the marble looks so small.
The guide puts each rule next to the step that needs it. It also has a page to write down every glass piece: how much glass you used, how deep the well was, what lay under it and what you found when it came back.
Real pages, for the table where you glaze
These are actual pages from the guide, shown here with the sample watermark.

Before you beginOne page before you touch clay: what you will learn, what to have ready, what is worth knowing, the common pitfalls, what success looks like, and where to log every glass piece. 
Six rules that keep it on the potThe end of the heat section and the six rules, from the well with walls to the catch underneath, each on its own card. 
What went wrong, and what caused itThe end of the list of what a glass piece can never be, a note on what it is good for, and six cards for what goes wrong: it ran out, a thin film, cloudy, cracked, lifted or bubbled. 
Every glass piece, and what the glass didA log to write in: the glass, the amount, the well, the glaze under it and what happened, with two questions under it. A few rows in and the next piece starts from a measurement, not a photo.
Read it before the marble goes in
Glass in a pot is a decision you make at the bench and cannot undo in the kiln. Paper suits that.
The rules sit beside the steps
The well, the amount, the catch and what never goes in are each next to the step that needs them, not somewhere in a long video.
It holds still
A page stays where you put it while you crush glass in a bag with gloves on, and it does not mind a damp cloth.
Amounts to write down
The log has columns for the glass, the amount, the well and the glaze under it. The next piece starts from a measurement and not a hunch.
One page where you glaze
The one page summary has why heat matters, the well, what goes in and what to change when it goes wrong, for when your hands are full.
Rebuilt for paper, not printed from a web page
Every guide in the series is set from scratch for print. Here is what that meant for this one.
Corrected, in the guide and the lesson
The lesson listed spoon rests as a good use for glass, said little about crushing glass safely, and told members to cool and open the kiln themselves. Those and a few more are fixed in the guide and in the free lesson.
Video notes that say what the video shows
We checked every note in the free lesson against the videoās own description and chapters, and rewrote the ones the videos do not bear out, in the guide and in the lesson.
Written for any studio
Where the lesson talks about The Clay Hole, the guide says so, so a reader working somewhere else knows which line is a Clay Hole fact and which is a rule of the craft.
A quiz that explains itself
A short quiz, and an answer key that gives the reason behind every answer rather than only the letter.
Codes that keep working
Every link is a short Clay Hole address. If a video moves, we repoint the address and your printed copy still goes to the right place.
A page to keep where you glaze
The one page summary is the whole job on a single sheet: why heat matters, the well, what goes in, and what to change when it goes wrong.
The lesson is free. It always will be.
All of the teaching in this guide comes from the free āMelting Glass Into Potteryā lesson, and that lesson is not going anywhere.
Find out what heat a tutorial was made for before you copy a single step of it.
Saying out loud what it is, and what it is not, is part of making it well.
Dan Pearce, founder of The Clay Hole
Build a little pottery library
Every printable guide in The Clay Hole University series takes one free lesson and rebuilds it for paper, with workbook pages, a glossary and a quiz with a worked answer key. Each one keeps its number for good, so a guide you buy today is the same guide in the same place next year.
Put any five printable guides in your cart and the cheapest one is on us. Put in nine and the two cheapest are on us. It happens automatically at checkout, no code to remember.
- 5guides in your cart1 on us
- 9guides in your cart2 on us
Three lessons that pick up where this one leaves off
Each one is free to read online, and the codes in the guide take you straight there.
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Guide 02.01 · free lessonMasks and Respirators: Which One, and WhenCrushed glass is dry powder, and dry powder is the job a mask is for. It has sections on how to check the fit and the four kinds of respirator.
Read the free lesson -
Guide 02.02 · free lessonThe Risks Every Potter Should KnowWhere a failed glass piece, a cut or a pile of dust sits among every other hazard in the studio. It has sections on the small stuff that adds up and on what is overblown.
Read the free lesson -
Guide 10.10 · free lessonMason Stains in Clay, Slip and GlazeThe other way to put strong color into a pot: powder mixed into clay, slip or glaze, tested on a tile first. It has a section on firing a tile before a pot.
Read the free lesson
Good to know
How is this different from the free lesson?
Can I put glass in a pot fired at a studio?
Will it look like the photos online?
Is a piece with glass in it safe to eat from?
Is this too early for me?
What do I need besides clay?
Do I need a fancy printer?
Does it print in black and white?
Can I print just part of it?
Can I read it on a screen instead?
How does delivery work?
What happens if the guide is updated?
Can I share it?
Build the well first
Give the glass a well with real walls, use half what you think, and put a catch under it. Those three habits take a few minutes and decide whether the glass stays where you put it. The guide keeps them in front of you.
Get the guide · $10.00


