The Clay Hole University · Project Guides
Hanging Wall VasesPrintable pottery guide
Everything that decides whether a wall vase hangs flat, stays dry and stays up, in the order you make it: the flat back, the hanging hole, the glaze and the fixing.
- Skill level: Intermediate
- 18 printable pages
- 2 video picks
- 8-question quiz + answer key
- Instant download
- Prints on any printer
- The lesson stays free
What is the Hanging Wall Vases printable guide?
It is the wall vase on paper: four ways to build one, why the flat back bows and which side to cover while it dries, how big to cut the hanging hole and why a keyhole or two holes beat one, how to glaze the inside so it never seeps onto a wall, how to fire it flat on a kiln cookie, and what to hang it on. Built to be printed, ticked off at the bench and written in.
Prefer to read it online first? The “Hanging Wall Vases” lesson is free, and always will be.
- 18printable pages, US Letter
- 8quiz questions, with a full answer key
- 2hand-picked videos, each with a QR code
- 15glossary terms in plain language
- 2workbook pages you fill in yourself
Easy to make, and easy to get wrong
A wall vase takes up no shelf, needs no wheel and holds a single stem, which is why so many people start with one. Then the front dries a little ahead of the back and the back rocks against the wall, or the hole comes out of the kiln too small for the nail, or a damp patch turns up on somebody’s paint six weeks after you stopped thinking about it.
None of that shows at the bench. It shows on a drying shelf, in the kiln and on a wall in somebody else’s house, so the guide puts each decision at the step where you can still make it: how big to cut the hole while the clay is soft, which side to cover while it dries, what to wax before the glaze goes on, and what to hang it from once it is full of water.
Nothing in it is hard to learn. The forming is ordinary hand building. The guide is for the parts that come after, set out so you can tick them off as you go.
Real pages, for a bench with a slab on it
These are actual pages from the guide, shown here with the sample watermark.

Before you beginOne page before you touch clay: what you will learn, what to have on the bench, what is worth knowing, the pitfalls, and what a wall vase that worked looks like. 
Four ways to build oneTwo slabs, a thrown form cut in half, a thrown form pressed flat on one side, or a slab over a mold. Pick by what you already like making, with a short video beside the list. 
Hanging it safelyWeigh it full, not empty, use two fixings, and put it on a stud or a proper anchor. Six short steps for getting a wall vase onto a wall and keeping it there, with a note pointing to a heavier hanging problem. 
Every wall vase, and what the kiln did to the holeA log to write in: how it was built, the hole you cut, the hole the kiln left you, whether the back stayed flat and what happened when you hung it.
The rules for the hole are easy to forget at the bench
A wall vase is a few decisions made over a few days, with clay on your hands in between. Paper suits that.
The rules sit beside the steps
Cut it soft, cut it big, put it in the thickest part of the back, clear the glaze out. Each one is next to the step that needs it, not somewhere in the middle of a video.
It holds still
A page stays where you left it while you score and slip a seam with both hands. It does not go to sleep and it does not need clay wiped off the screen.
A number to write down
The log has a column for the hole you cut and one for the hole the kiln left you. The second wall vase starts from a measurement instead of a hunch.
One page for the bench
The one page summary has the building and drying, the hole, the glazing and firing, and the checks before it goes up. It pins up next to the slab roller.
Rebuilt for paper, not printed from a web page
Every guide in the series is set from scratch for print. Here is what that meant for this one.
The right side covered
The lesson said the front dries first and pulls the back into a bow, and then said to cover the back, which slows the slow side even more. The front is the fast side, so the front is the one to cover. The guide says so.
A kiln cookie under the flat back
A glazed flat back sticks to the shelf, so the guide fires it on a kiln cookie or glaze catcher and says that any grinding of fired glaze off the back is wet and never dry.
A test that is honest about its length
Fill it, leave it over paper overnight, look at the paper. The guide calls it two minutes of effort, because the test itself takes all night.
Notes that match the videos
The note under each film was read against that film’s own page, so it promises only what is in it.
A quiz that explains itself
Eight questions, and an answer key that gives the reason behind every answer rather than only the letter.
Codes that keep working
Every link is a short Clay Hole address. If a video moves, we repoint the address and your printed copy still goes to the right place.
The lesson is free. It always will be.
All of the teaching in this guide comes from the free “Hanging Wall Vases” lesson, and that lesson is not going anywhere.
A wall vase looks like the easy pot.
So the work that matters happens early, while the clay is soft and you can still change your mind about a hole or a seam.
Almost everything that goes wrong is one side getting ahead of the other.
Dan Pearce, founder of The Clay Hole
Build a little pottery library
Every printable guide in The Clay Hole University series takes one free lesson and rebuilds it for paper, with workbook pages, a glossary and a quiz with a worked answer key. Each one keeps its number for good, so a guide you buy today is the same guide in the same place next year.
Put any five printable guides in your cart and the cheapest one is on us. Put in nine and the two cheapest are on us. It happens automatically at checkout, no code to remember.
- 5guides in your cart1 on us
- 9guides in your cart2 on us
Three lessons that pick up where this one leaves off
Each one is free to read online, and the codes in the guide take you straight there.
-
Guide 07.04 · free lessonHow to Use Slab Molds, Step by StepThe mold route from the four building methods. It covers how thick to roll the slab, how to lay it down, and how to get it off the mold clean, so the front comes out the same every time.
Read the free lesson -
Guide 07.16 · free lessonUsing Cookie Cutters on Clay SlabsRead it for the back slab. It says why even thickness matters more than the number, why canvas texture on one side only is a warp waiting to happen, and how two boards with paper between them keep a flat shape flat.
Read the free lesson -
Guide 07.03 · free lessonHow to Make a Slab MugA whole vessel built from slabs, and the seam a wall vase depends on: scored, slipped, pressed, with a coil blended down the inside. It also explains why two parts joined at different stages of dryness pull apart.
Read the free lesson
Good to know
How is this different from the free lesson?
Do I need a wheel?
Is this too early for me?
What do I need besides clay?
Can I put a plant in it?
How do I hang it?
Do I need a fancy printer?
Does it print in black and white?
Can I print just part of it?
Can I read it on a screen instead?
How does delivery work?
What happens if the guide is updated?
Can I share it?
Cover the front, cut the hole big, and test it over paper
Slow the front down so the back can catch up, cut the hole far bigger than the nail, glaze the inside properly and leave it over a sheet of paper overnight. Do those and the making is ordinary hand building. Skip any of them and the wall finds out, which is why this one is worth reading before you roll the slab rather than after.
Get the guide · $7.00


