Instruction
Four instructors, not one at the front
Open studio classes. You make whatever you want, and instructors circulate teaching you at your pace, on the thing in your hands right now. No curriculum, no grades, no falling behind.
The Clay Hole home page
Your hands in clay, every single week.
Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Start my membership→Pick your Level on the next page. Month to month, no contract.
★★★★★4.9 on Google from 145+ reviews
This month’s new member deals 17 of 30 discounted spots left this month
Pottery is better with your people.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
Every question, already answered.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Walk in on day one already knowing the way.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
Where your pottery goes between kilns, what happens to the classes you skip, who wears which shirt, and the few rules that keep a busy room working.
Move up a Level, add Unlimited, take a break or change your card. Memberships renew on the 25th, and most changes go in before then.
Eight clays, one for every kind of pot.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Bisque is free. Glaze firing goes by size.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Bring a friend to your table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
Same price at every Level. If they join the same day, that day’s pass comes back to you.
Every two months · free
For one whole week, anyone comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. Once per person, every week.
The few things that have to be yours.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Beginner’s Tool SetThe kit Green Level Members bring
Fingernail ClippersShort nails make throwing easier
Mayco Clay MenderFor cracks in dry and bisqued work
Epoxy for KintsugiFive-minute epoxy for golden repairs
Applicator BottlesSix bottles and tips for slip lines
Large Bead RackFor firing glazed beads
Six raku days in 2027, twenty spots each.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
Grab a drink. Pay on your phone.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Some days you just want to glaze.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
Take the studio’s know-how home with you.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
Right off I-15, open seven days a week.
12896 S Pony Express Rd, Suite 100, Draper, in the Pony Express Center. The next building north of Living Spaces, with a free shared lot out front.
217 pottery lessons, free to study.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Nobody expects you to know anything yet.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
Every way a pot goes wrong, and what to do about it.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Why Did My Pottery Do That?45 symptoms, the cause and the fix, in a line or two
Glaze Problems, Causes and FixesCrawling, pinholes, crazing and the rest, in depth
How to Rescue Pottery at Any StageWhat each stage still allows, and the odds
Reglazing and RefiringWhich failures refire, and how it is done
Four certifications. Each one opens part of the studio.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
248 slab molds, searchable by what they make.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
One hundred two patterns. Print, cut, build.
Exact-size paper patterns for slab building, from a 30 minute ring dish to a chess set with thirty-two pieces. Free for members. Everyone else buys one, a whole level or a whole collection at once, or all of them.
The Beginner bundle$34 for sixteen, 60 percent off, later ones free
The Intermediate bundle$120 for twenty-five, 40 percent off, later ones free
The Advanced bundle$129.60 for eighteen, 40 percent off, later ones free
The Expert bundle$192 for sixteen, 40 percent off, later ones free
The Insane bundle$459 for twenty-three, 40 percent off, later ones free
The Kiln furniture bundle$19.20 for four, 40 percent off, later ones free
137 projects, three questions.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
Every guide on the site, shelved by what you are trying to do.
Start from the problem in front of you, not the day a guide was written. Search it, or pick a shelf.
The Pottery Dictionary254 terms in plain English
Why Did My Pottery Do That?45 symptoms, the cause and the fix
The Pottery Cone ChartEvery cone from 022 to 14
Pottery Myths, Fact-Checked70 of them, against 117 sources
Is Handmade Pottery Food Safe?Almost always, and how to check
The Full Pottery ProcessBag of clay to finished piece
The videos that took off, sorted by mood.
My best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Incredible Ceramic Artist Videos24 free lessons by 15 makers, none of them ours
How Dan Throws Giant PotsSection by section, with the numbers
How to Dry Your PotteryThe video, and why S-cracks happen (opens in a new tab)
The Pottery Wheel IntroductionMy wheel video for new members (opens in a new tab)
There is a corner of the studio with your name on it.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
Pottery by Zodiac SignTwelve signs, one patient lump of clay
Personality and the Pottery WheelYour habits show up in about four minutes
Pottery for EngineersFor people who think for a living
ADHD, Hyperfocus, and Never Running OutA letter from me
Hobbies for BurnoutA room where you are allowed to be bad
Screen-Free Hobbies for AdultsSomething that asks for all your attention
Every Addiction I Ever Had Lost to ArtOn my blog
Functional Pottery Is EngineeringA mug is a set of tolerances
Every studio near you, including the ones that suit you better.
I run one of these studios, and several of the others are wonderful. So here they are side by side: what each one charges, how each one works, and when another studio is the better pick.
The people who fill this place.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Parties, contests and one gallery night.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Six weeks a year, your friends come in free.
Every other month, for a whole week, members can walk in with anybody, new to clay or not, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
Things we probably should not have built.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
Every message goes straight to me.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Nobody goes home with a bowl. That is the entire point.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
We are always looking for our next instructor.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
Every glaze we stock, fired on our own clay.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
Type a name. An arrow points to the slot.
Every bottle on the real glaze wall, down to its shelf, row and slot. Search by name, brand or family, or press Surprise Me and let it pick for you.
Every bottle wears a colored sticker.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Glaze is glass, made on purpose, stuck to a pot.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Two certifications, then the wall and the buckets are yours.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
Four fluxes, 32 stains, and two fees worth knowing.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Bisque at cone 05. Glaze at cone 5½.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
I’m Dan Pearce, and I built this place for the people in it.
Writer, potter and artist, with millions of people following along online. I ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
Your hands in clay, every single week.
Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Start my membership→Pick your Level on the next page. Month to month, no contract.
★★★★★4.9 on Google from 145+ reviews
This month’s new member deals 17 of 30 discounted spots left this month
Pottery is better with your people.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
Every question, already answered.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Walk in on day one already knowing the way.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
Where your pottery goes between kilns, what happens to the classes you skip, who wears which shirt, and the few rules that keep a busy room working.
Move up a Level, add Unlimited, take a break or change your card. Memberships renew on the 25th, and most changes go in before then.
Eight clays, one for every kind of pot.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Bisque is free. Glaze firing goes by size.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Bring a friend to your table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
Same price at every Level. If they join the same day, that day’s pass comes back to you.
Every two months · free
For one whole week, anyone comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. Once per person, every week.
The few things that have to be yours.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Beginner’s Tool SetThe kit Green Level Members bring
Fingernail ClippersShort nails make throwing easier
Mayco Clay MenderFor cracks in dry and bisqued work
Epoxy for KintsugiFive-minute epoxy for golden repairs
Applicator BottlesSix bottles and tips for slip lines
Large Bead RackFor firing glazed beads
Six raku days in 2027, twenty spots each.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
Grab a drink. Pay on your phone.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Some days you just want to glaze.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
Take the studio’s know-how home with you.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
Right off I-15, open seven days a week.
12896 S Pony Express Rd, Suite 100, Draper, in the Pony Express Center. The next building north of Living Spaces, with a free shared lot out front.
217 pottery lessons, free to study.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Nobody expects you to know anything yet.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
Every way a pot goes wrong, and what to do about it.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Why Did My Pottery Do That?45 symptoms, the cause and the fix, in a line or two
Glaze Problems, Causes and FixesCrawling, pinholes, crazing and the rest, in depth
How to Rescue Pottery at Any StageWhat each stage still allows, and the odds
Reglazing and RefiringWhich failures refire, and how it is done
Four certifications. Each one opens part of the studio.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
248 slab molds, searchable by what they make.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
One hundred two patterns. Print, cut, build.
Exact-size paper patterns for slab building, from a 30 minute ring dish to a chess set with thirty-two pieces. Free for members. Everyone else buys one, a whole level or a whole collection at once, or all of them.
The Beginner bundle$34 for sixteen, 60 percent off, later ones free
The Intermediate bundle$120 for twenty-five, 40 percent off, later ones free
The Advanced bundle$129.60 for eighteen, 40 percent off, later ones free
The Expert bundle$192 for sixteen, 40 percent off, later ones free
The Insane bundle$459 for twenty-three, 40 percent off, later ones free
The Kiln furniture bundle$19.20 for four, 40 percent off, later ones free
137 projects, three questions.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
Every guide on the site, shelved by what you are trying to do.
Start from the problem in front of you, not the day a guide was written. Search it, or pick a shelf.
The Pottery Dictionary254 terms in plain English
Why Did My Pottery Do That?45 symptoms, the cause and the fix
The Pottery Cone ChartEvery cone from 022 to 14
Pottery Myths, Fact-Checked70 of them, against 117 sources
Is Handmade Pottery Food Safe?Almost always, and how to check
The Full Pottery ProcessBag of clay to finished piece
The videos that took off, sorted by mood.
My best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Incredible Ceramic Artist Videos24 free lessons by 15 makers, none of them ours
How Dan Throws Giant PotsSection by section, with the numbers
How to Dry Your PotteryThe video, and why S-cracks happen (opens in a new tab)
The Pottery Wheel IntroductionMy wheel video for new members (opens in a new tab)
There is a corner of the studio with your name on it.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
Pottery by Zodiac SignTwelve signs, one patient lump of clay
Personality and the Pottery WheelYour habits show up in about four minutes
Pottery for EngineersFor people who think for a living
ADHD, Hyperfocus, and Never Running OutA letter from me
Hobbies for BurnoutA room where you are allowed to be bad
Screen-Free Hobbies for AdultsSomething that asks for all your attention
Every Addiction I Ever Had Lost to ArtOn my blog
Functional Pottery Is EngineeringA mug is a set of tolerances
Every studio near you, including the ones that suit you better.
I run one of these studios, and several of the others are wonderful. So here they are side by side: what each one charges, how each one works, and when another studio is the better pick.
The people who fill this place.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Parties, contests and one gallery night.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Six weeks a year, your friends come in free.
Every other month, for a whole week, members can walk in with anybody, new to clay or not, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
Things we probably should not have built.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
Every message goes straight to me.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Nobody goes home with a bowl. That is the entire point.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
We are always looking for our next instructor.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
Every glaze we stock, fired on our own clay.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
Type a name. An arrow points to the slot.
Every bottle on the real glaze wall, down to its shelf, row and slot. Search by name, brand or family, or press Surprise Me and let it pick for you.
Every bottle wears a colored sticker.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Glaze is glass, made on purpose, stuck to a pot.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Two certifications, then the wall and the buckets are yours.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
Four fluxes, 32 stains, and two fees worth knowing.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Bisque at cone 05. Glaze at cone 5½.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
I’m Dan Pearce, and I built this place for the people in it.
Writer, potter and artist, with millions of people following along online. I ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
The next Clay Hole
Right now there is one Clay Hole, and it is in Draper, Utah. One day we would like one in a lot more places. Across the country, and maybe into Canada. Where the next one goes depends on where people ask for it, and asking takes about twenty seconds.
How this works
Every zip code that lands here gets counted. When enough of them stack up in one place, that place moves up the list. It is how we decide where a studio this size should go.
What to expect
There is no date, no city picked and no promise. This could be a long wait, and we will not email you in the meantime. No newsletter, no sales emails, nothing in between. One email, if and when there is something real to say.
Tell us where you are
You are already on the map from an earlier visit. Adding another zip is fine too, for a second home or a city you are moving to.
Got it
Your zip code is in the count. If your area is where the numbers land, you will be the first to know.
That zip is already Clay Hole country. The Draper studio is open now, with memberships from $145 a month. See the memberships.
The fastest way to move your city up the list is more zip codes from it. Send this page to the people near you who would want one too.
Why people ask for one
The Clay Hole was built with two goals. The first was the most extraordinary community pottery studio we could make. The second matters more: a place where anyone can turn up and find new friends, a second family, or (dare we say it) love.
Community is hard to find now. Real friendships take hundreds of hours with someone, and most people have nowhere those hours happen on their own. A studio you come back to every week turns strangers into familiar faces. Then familiar faces into your people.
The pottery is extraordinary. The people are the reason it works.
The size of it
The studio in Draper, Utah runs nearly 10,000 square feet. This is what is inside it right now.
29
pottery wheels
650+
commercial glazes
150+
underglazes
248
slab molds and forms
4
instructors on the floor at every class
4
kilns
7
days a week the studio runs
Thousands
of pottery tools
What membership comes with
Instruction
Open studio classes. You make whatever you want, and instructors circulate teaching you at your pace, on the thing in your hands right now. No curriculum, no grades, no falling behind.
Glazes
650+ commercial glazes, 150+ underglazes, and seven dipping glazes for people who would rather not brush. Glazes fire to cone 5½.
Slab molds
From Green Level slab molds up to giant, complex Black Level ones. The Mold Room lists every one with what it makes, how much clay to start with and how thick to roll the slab.
Tools
Every tool, glaze and slab mold carries a color mark. Your level’s color and every color below it is yours to use. Nobody has to ask permission or look anything up.
Equipment
All 29 wheels, the worktables, the slab rollers and the kilns, at every level. Extruders come in as you move up.
Your spot
Work in progress needs somewhere to wait between visits, and every member gets a spot for it. The shelf gets bigger as the level goes up.
Flexibility
Same night every week, a different night every time, mornings one month and evenings the next. Classes never expire while you are a member, and a closure moves your class rather than taking it.
The living room
Game tables, dozens of games, lounge areas, big leather sofas and drink fridges. People stay after the clay is put away, which is rather the point.
Workshops
Optional workshops, first dibs on the non-pottery art workshops, and nighttime raku workshops for members who have earned the certification. Raku is paid for separately.
What it does not include
Clay and firings are paid for separately. Here in Draper, glaze firing runs 5 cents a cubic inch with a $4.80 minimum, and memberships run $145 to $275 a month. There are no one-night classes and no drop-ins, because a single pot takes weeks and a friendship takes longer. How much of the studio you can reach depends on your level, and the cheapest level shows you a fraction of it.
The part nobody expects
A total beginner and a potter of fifteen years sit at the same table, and both get what they came for. Because nobody is making the same mug, the room runs on inspiration instead of comparison.
After a few weeks it stops being a room you attend. It becomes a place you go.
Game nights and parties
The lounge exists for a reason.
Pottery contests
Themed contests that run through the year.
Bring a Friend Weeks
Whole weeks where members bring friends in free.
Show & Tell
Class photos and finished work, posted for everyone to see. Look at it.
Featured members
Members get their own page on the site. Meet a few.
A studio dog
He has his own corner and his own page. Meet Mud.
Stay, and it keeps paying you back
Every member gets a rewards card on day one. Nothing to sign up for, and it quietly gets more generous the longer you are around.
2 months
A free firing
4 months
A free bag of clay
6 months
A free Bring a Friend pass
9 months
A free Clay Hole t-shirt
12 months
A free month
18 months
Two free firings every month, for life
2 years
Three bigger free firings every month, for life
3 years
A free bag of clay every month, for life
In between
More free firings, most months
Nobody has reached the top rungs yet. The studio opened in March 2025, so the two and three year rewards are real and still ahead of everybody. Cancel and the card starts over. The whole program, written out.
Try a piece of it tonight
Most studios have a website. This one has a free pottery school, a glaze reference for every jar on the wall and a stack of tools members use every week. Most of it is open to anyone.
Where The Clay Hole is
Only if you live near Draper, Utah. That is the one Clay Hole right now, and there is no second location yet. The list on this page is how the next one gets picked, so the fastest way to get one in your city is to add your zip code to it.
We want to, across the United States and maybe into Canada. No date is set and no city is picked. First we find out where people actually want one, and this page is where that happens.
There is no date yet. Expanding a studio this size is a big, slow project, and this list is how it starts: finding out where the demand really is before anything gets built.
The one the numbers point at. Every zip code on this list is counted, and the places with the most people asking move up. That is the whole system. No city has been picked.
Not yet. Canada is on the table, though. Pick Canada on the form and use your postal code, and it gets counted exactly like a zip code does.
Your name, email and zip code go into our own list for this and nothing else. They do not go into our newsletter, and nobody else gets them. You hear from us if a Clay Hole opens near you, and that is it.
More zip codes from it. Send this page to friends, coworkers, the person who keeps saying they want to try pottery. A town with fifty names on the list looks very different from a town with one.
Then the studio already exists near you. It is in Draper, and memberships start at $145 a month. See the memberships.
One more thing
Twenty seconds, three boxes, and your town gets counted. Then send this page to the people you would want at the table next to you.
New member deal
30 of 30 discounted spots left this month
Tell me where to send it and this month’s deal lands in your inbox. If this month runs out, you get next month’s before it opens.
Almost done
Done
It should land in the next few minutes. One thing while you wait: we are members only and we do not run walk-in tours, so the virtual tour is the closest you can get to standing in one.
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One question
I opened The Clay Hole in Draper, Utah, and I would like it to be in more places than that. Where the next one goes is the part I have not worked out yet.
Where are you?
That is how I work out where the demand actually is. The rest is so I know who to tell.
Got it
This could be a long wait, and I will not email you in the meantime. If your area is where the numbers land, you will be the first to know.
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