Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
One night that is yours. You came for the hours where your phone is face down and your hands are too covered in clay to reach for it. A hard month is exactly when a person needs that.
Your reason is reason enough. Money got tight. The calendar filled up. Something went sideways that nobody planned for. None of that is a character flaw.
Two taps, and your to-do list is empty. Pay for the months you need. No portal step, nothing to cancel, no text to confirm. We move your billing date, and it starts again on its own.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
For one whole week, anyone who has never been here comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. One free visit per person, ever.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
Dan’s best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
We run one of these studios, and several of the others are wonderful. So we lined them up side by side: what each one charges, how each one works, and when another studio is the better pick.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Every other month, for a whole week, members can walk in with anybody who has never touched clay here, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
The Glaze Finder shows the real glaze wall and marks the shelf, row and slot a bottle lives in. Search by name, brand or family, or press Surprise Me and let it pick for you.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
Writer, potter and artist, with millions of people following along online. He ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
Weekly classes with four instructors on the floor, whether it is your first pot or your five hundredth. A shelf with your name on it, and classes that never expire.
Share one membership with your partner, split a shelf with a friend and both save 20%, or bring someone along for a single night. All of it month to month.
More than a hundred answers on one page, from what time class starts to how long a finished piece takes. Type a word and the right answer opens on its own.
Three quick things before you come. After that, your first class starts with a tour and your shelf, whether it is your first pot or your five hundredth.
One night that is yours. You came for the hours where your phone is face down and your hands are too covered in clay to reach for it. A hard month is exactly when a person needs that.
Your reason is reason enough. Money got tight. The calendar filled up. Something went sideways that nobody planned for. None of that is a character flaw.
Two taps, and your to-do list is empty. Pay for the months you need. No portal step, nothing to cancel, no text to confirm. We move your billing date, and it starts again on its own.
Every bag comes from the studio, and every one fires at our cone 5½, so any of them works with any glaze on the wall. 52 Buff, the house starter, is $28 a bag at Green Level and less at every Level above it.
Glaze firings are 5 cents a cubic inch, measured at the widest points, with a $4.80 minimum and a $600 ceiling. Every firing is paid online before the piece goes on the drop-off table.
Members bring guests to classes and open studio. Your guest works from your clay, with your tools and glazes, and you teach them for the night. The price follows your guest, not your Level.
For one whole week, anyone who has never been here comes free, to any class or open studio. Bring as many as you like. Your whole Level is theirs for the night, Black Level included. One free visit per person, ever.
Membership covers thousands of tools. A handful of things cannot be shared, like clippers, epoxy and the tools a Green Level Member brings. Pay on your phone, then grab it at the studio. Nothing we sell ships.
Pots come out of the kiln glowing and go straight into a can of shavings that catches on contact. Two daytime, two nighttime and two horsehair and feather workshops, in Alpine. Optional, and open to current and past members.
The drink fridge and the coffee and cocoa station both run on trust. Pay on the website, then help yourself. Our city water is not great to drink, so most members bring a bottle or grab one here.
Pre-made bisqueware, glaze catchers and kiln cookies are ready when you are. Pay online, take the size you paid for, and ask one of us if you are not sure which one that is.
The Glaze Bible and The Book of Molds, printed, bound and in full color. Plus a printable guide for every lesson in The Clay Hole University, each one a PDF you keep.
Pick an amount and it arrives by email straight after checkout. It never expires, and four of the amounts are exactly one month of membership at each Level.
The whole craft across 17 areas, in the order a piece is made, from wedging a bag of clay to selling what you made. Every lesson has its own quiz, and none of it asks you to sign up.
Most people need a few weeks on the wheel before it feels like anything at all. That is the normal experience, not the sad one. Here is what to watch, what to learn first, and a plan for your first ten sessions.
The Pottery Failure Atlas: 54 failures from the wedging table to years of use, sorted by what you see and when you first saw it. Every one drawn, with its likely causes, the evidence that tells them apart, what can still be rescued and the experiment for the next pot. Free to read here, and printed and bound for the glaze table.
Watch the video, agree to the rules, pass a quick check, and save a card to your phone. Do each one once and you are certified for as long as you are a member. Most people start with the slab rollers and slab molds, and take the rest when they need them.
A slab laid over one of these comes off as a bowl, a platter or a tray with an even wall and a shape that looks like somebody meant it. First try. Included with your membership once you are certified.
The project finder asks how you want to make it, how far along you are, and what you want to be holding at the end. Then it hands you a list, each one with a guide or a slab mold behind it.
Dan’s best and most viral reels on one page: the funny ones, the process ones, the oddly satisfying ones, and the dad jokes. Each one plays right there, with arrows to keep going.
Sixteen personality types, five love languages and twelve signs, each matched to the way that person tends to work with clay. Lighthearted on purpose, and oddly specific.
We run one of these studios, and several of the others are wonderful. So we lined them up side by side: what each one charges, how each one works, and when another studio is the better pick.
Hundreds of class photos taken mid-class, the pieces members bring back from the kiln, and member spotlights written in their own words. A new set loads every time you open the gallery.
Three parties, four contests the whole studio votes on, six free weeks for your friends, and one November night when the studio becomes a gallery. Every 2027 date is already set.
Every other month, for a whole week, members can walk in with anybody who has never touched clay here, and it costs them nothing. No guest pass, no RSVP, no list at the front desk. Clay is the one thing they buy, from $28 a bag, or they split yours.
A kiln god who takes offerings, a void that listens and keeps nothing, a glaze wall you are allowed to wreck, and a daily card that picks you. Built for the days the kiln wins.
A suggestion, a complaint, a compliment, or an idea to make this place better. Not into a queue somebody gets to on Thursday. Put your name on it or stay completely anonymous. Both get read.
Three hours with real clay, real wheels and real instructors, for up to 48 people. Families, friends and teams. Everybody in the room is equally bad at this, and that is the part that works.
Not because somebody is about to quit. People move, go back to school and take the other job, so we keep a list of people to call when a spot opens. Pink shirts are our main instructors. Purple shirts are our trade instructors.
611 glazes and 105 underglazes, each fired on our own tiles, in our own kilns, at cone 5½. A page for every one: the fired photo, what it does over another glaze, which clays suit it, and what went wrong if yours came out different.
The Glaze Finder shows the real glaze wall and marks the shelf, row and slot a bottle lives in. Search by name, brand or family, or press Surprise Me and let it pick for you.
Your Level opens your color and every color below it, never one above. Some glazes cost several times what others do, and the Level is how that gets paid for. That is the entire pricing model.
Everything confusing about glaze comes from that one fact. Start there, then learn to brush it, dip it and layer it, and to read what went wrong when the kiln opens.
Brush-on comes first, because it is required before your first glaze. Dipping comes when you want a smooth, even coat over a big batch. Each one is a video, the rules, a quick check and a card on your phone, and each lasts as long as your membership.
The flux glazes are the four built to run, and you buy your own pint. Mason stains sell by the 25 grams. A few premium glazes carry a sticker fee, and any dipping bucket your Level does not include goes by the piece.
Our glaze kilns run cone 5 with a twelve minute hold, which is the same heat work as half a cone past cone 5. Every tile in the Glaze Bible was fired that way, so the tile is what comes out.
Writer, potter and artist, with millions of people following along online. He ran a first little studio out of a garage for almost four years, then built The Clay Hole from the ground up in Draper.
Choosing a selection results in a full page refresh.
Opens in a new window.
New member deal
30 of 30 discounted spots left this month
Every month we discount 30 new memberships. Then that is it until the 1st.
Tell us where to send it and this month’s deal lands in your inbox. If this month runs out, you get next month’s before it opens.
Almost done
Where should we send it?
Done
On its way.
It should land in the next few minutes. One thing while you wait: we are members only and we do not run walk-in tours, so the virtual tour is the closest you can get to standing in one.
Would you want to know if a Clay Hole opened near you?
We started in Draper, Utah, and we would like to be in more places than that. Where they go next is the part we have not worked out yet.
Where are you?
The zip code is the part that counts.
That is how we work out where the demand actually is. The rest is so we know who to tell.
Got it
You are on the map.
Being straight with you: this could be a long wait, and we will not email you in the meantime. If your area is where the numbers land, you will be the first to know.