The Ceramic Shop

Since 1998/Pennsylvania

The Ceramic Shop is a Pennsylvania supply house that also mixes its own glazes. They started in 1998 as a workshop for one invention and grew into one of the larger ceramic suppliers anywhere.

Their own cone 6 lines are formulated for dipping rather than brushing, which is unusual on our shelf and worth knowing before you pick one up.

4glazes on our shelves
1families
2studio favorites
The Ceramic Shop glazes at The Clay Hole pottery studio

The Ceramic Shop by membership level

Every The Ceramic Shop glazes we stock, sorted by the level that covers it.

1Yellow Level
3Purple Level

The 1 The Ceramic Shop families we carry

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Pro Series

Four cone 6 glazes mixed in Pennsylvania and built for dipping. Two of them change color on their own, one with thickness and one with texture.

4glazes
1Yellow
3Purple

Cone 6, over cone 04 bisque

See all 4 Pro Series glazes

About The Ceramic Shop

The Ceramic Shop was started in 1998 by Mark Lueders, a Philadelphia ceramic artist and teacher. He taught at the University of Pennsylvania and pushed to get ceramics into the curriculum there.

What actually built the company was a tool. Lueders invented the Hydro-Bat, a fast drying bat that makes getting work off the wheel less of a fight. By 2001 the Hydro-Bat business had outgrown its space and moved to a bigger building in Port Richmond, and he opened a supply store alongside it because Philadelphia did not have one.

In 2006 they bought Roselli Pottery, which makes kiln stilts, bead racks and kiln furniture. If you have used a stilt in our kilns, that is the line it came from.

They now run one of the larger ceramic supply operations anywhere, with more than forty thousand items, and they say over seventy percent of their staff are working artists.

Fast facts

Founded1998, in Philadelphia
FounderMark Lueders, potter and teacher at the University of Pennsylvania
Built onThe Hydro-Bat, a fast drying throwing bat he invented
Also makesRoselli kiln stilts and kiln furniture, acquired in 2006
GlazesMixed in Pennsylvania, cone 6, sold wet and as dry powder
StaffThey say more than 70 percent are working artists
About these images and what your pot will actually look like

We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.

Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.

A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.

On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.

Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.

Download the Glaze Bible PDF