Blue Crawl

MBG062

🟪 Purple Level

Blue Crawl is a matte brush-on glaze from Coyote's Crawl line, fired cone 5 to cone 6.

MatteOpaqueCone 5/6
Available at The Clay HoleYes
Test tile
Fired pot
Crawl family
Find it on the glazes shelves Shelf 2, Row 1
Show me where

The quick version of Blue Crawl

TypeBrush-on glaze
FinishMatte
OpacityOpaque
Shows textureNot especially
Glaze fire toCone 5/6
Bisque toCone 04

What this glaze does

An exciting, exotic glaze that sometimes changes from blue to green depending on where it is placed in the kiln. Ideal for adding detail to sculptures, or as an unusual finish for non-functional ware. Perfect for potters looking for something unusual, our Crawl glazes have a tree-bark surface that's rough and dry to the touch. To achieve the crawling effect, they must be applied very thick, until the dry surface of the glaze cracks before firing. They can also be used over underglazes.

A crawl glaze deliberately pulls itself apart in the firing, leaving a beaded, cracked surface rather than a smooth one. It is a texture, not a coating.

Clays that suit Blue Crawl

The crawl comes from the glaze, not the clay, so any body on our shelf will carry it.

The crawl comes from the glaze, not the clay, so any body on our shelf will carry it.

Any body works#16 Porcelain through Berlin Gray.
Over a colorCoyote recommend a crawl over another glaze or a bright underglaze, so the color shows through the breaks.
Not for food surfacesA crawled surface is broken by design. Keep it to the outside of a pot or to sculpture.
Worth knowingCoyote say crystals can form in the liquid glaze if it is stored below 65F.

Applying this glaze to your work

A crawl glaze is applied thick and left to do what it does. The surface it makes is not smooth and is not meant to be.

Because it breaks up, it works as an accent or over another glaze rather than as a whole-pot finish.

Across the Crawl line

A crawl glaze is applied thick and left to do what it does. The surface it makes is not smooth and is not meant to be.

Because it breaks up, it works as an accent or over another glaze rather than as a whole-pot finish.

Layering

Coyote suggest putting a crawl over another glaze or over a bright underglaze, so the color shows through the gaps the crawl opens up.

Before you commit a pot

Coyote suggest putting a crawl over another glaze or over a bright underglaze, so the color shows through the gaps the crawl opens up.

Firing Blue Crawl

Coyote fire these between witness cone 5 and witness cone 6, which is where our glaze kilns run.

If you are a member here

None of this is yours to manage. We handle everything on the kiln side, and every glaze on our shelves can be fired safely in our studio.

Food and function

Coyote do not recommend the Crawl glazes for food use. A crawled surface is broken and porous by design, which is not a surface for eating from.

Use it on sculpture, on the outside of a pot, or as an accent.

Across the Crawl line

Coyote do not recommend the Crawl glazes for food use. A crawled surface is broken and porous by design, which is not a surface for eating from.

Use it on sculpture, on the outside of a pot, or as an accent.

Test tile pots lined up on the glaze shelves at The Clay Hole

Our test tile pots

Every glaze family on our shelves has its own test tile pot, and it is the fastest way to decide what to put on a piece. It is a fired pot wearing the whole family, one numbered tile per glaze, on a surface built to show you what that glaze actually does rather than just what color it is.

  1. 1Find the pot The brand and family name are written on the rim. This glaze lives on the Coyote Crawl pot.
  2. 2Find the tile Tiles are numbered around the pot. The numbers match the ones in the Glaze Bible.
  3. 3Read it properly Look at what the glaze does across all four textures, not just what color it is.

What to look at on the tile

Broad vertical textureA broad open surface. Shows the color at full strength, and whether the glaze travels down it.
Shallow textureA shallow swirl stamp. Shows whether light carving still reads once the glaze is on, or fills in and vanishes.
Deep textureCut lines. A deeply rough texture stripe. Shows where the glaze pools, how it breaks, and how dark it goes in the recesses.
Wipe-away textureGlaze wiped back to bare clay. Shows what the edge does where the coat runs thin. Find this wiped away on the tile's number.
One trick worth knowing

Some glazes tell you loudly that they run. Others hide it. Look at how the brushed lines fired: crisp edges mean a stable glaze, and edges that went soft and fluid mean it moved, and it will move on your pot too.

About the Coyote Crawl Family

One glaze, and it does something none of the others do: it pulls itself apart in the kiln.

A crawl glaze beads up and cracks on purpose, leaving a texture rather than a coating. It is for sculpture and accents, not for the inside of a mug.

One glaze, fired between witness cone 5 and witness cone 6. Coyote's Blue Crawl is the only crawl on our shelf. It is not recommended for food use, and it is at its best over another glaze or a bright underglaze where the color can show through the breaks.

Crawl family

Membership levels that may use this glaze: Purple & Black

Not sure whether this glaze suits what you are making, or how it works with our system here? Ask an instructor. That is what we are here for, and a two minute conversation at the shelf beats a fired pot you did not want.

About these images and what your pot will actually look like

We have done our best to represent every glaze here accurately, and you should still expect your pot to look different from what is on this screen.

Our glaze tile images are digitally created. They are built to show the character of a glaze, not to be a color match.

A screen is not a printout, a printout is not a test tile, and a test tile is not a finished pot. Each step in that chain shifts what a glaze looks like, sometimes a lot.

On top of that, the pottery itself changes the result: the clay body, how thick the glaze went on, whether it was brushed, dipped or sprayed, what was layered under or over it, where the piece sat in the kiln, how hot that spot ran, how fast it cooled, what was fired next to it, and how much texture the surface had. Two pots glazed from the same jar on the same day can come out different.

Treat every image here as a starting point, and treat a test tile fired on your own clay as the real answer.

Download the Glaze Bible PDF